That's a wrap for Art in Bloom 2023!
Art in Bloom arrived at the PMA just at the right time to get us out of the winter doldrums and feel the spring vibes
This year marked the largest Art in Bloom in recent history, with 21 floral designers creating art-inspired arrangements in the galleries. The designers brought their artwork inspirations to life with floral arrangements, and we were lucky enough to catch some of them in the galleries making their final touches!
The galleries bloomed with visitors all week to experience these arrangements. (Yes, the flowers smelled as good as they looked.) Audiences also enjoyed special floral programming including a centerpiece workshop with Katie Lovins of Clo Floral, auditorium programs with Wild Seed Project and Backyard Blooms, musical performances by Portland Symphony Orchestra and Katie Oberholtzer Quartet, and more.
Thank you to the over 5,000 visitors who explored the galleries and made this year’s Art in Bloom an event to remember! The energy and excitement continues with upcoming programs like Slow Art Day, Third Thursdays, Family Day, and more, so save the dates and register today.
Deeply connected to Maine, where she lives and works part of the year, Craven finds inspiration in its landscapes, skies, and ever-changing light. Her internationally celebrated work captures fleeting moments with bold color and expressive brushwork, offering a profound connection between observation, imagination, and the passage of time. Spotlight: Ann Craven is part of a statewide collaboration celebrating the artist’s impact and vision.
Reflecting Forward: Learning from American Art Reinstallations This public symposium will bring together scholars, educators, and artists to explore how lessons from reinstallation projects in partnership with Indigenous communities can create sustained change in American art scholarship, exhibitions, and collection stewardship.
111 minutes. Not Rated. Directed by Jia Zhangke. In Mandarin Chinese with English subtitles. DCP.
Master filmmaker Jia Zhangke (Ash Is Purest White) observes China’s rapid growth and social transformation in the 21st century through a combination of narrative and documentary footage shot over the past generation.
150 minutes (approximate). Not Rated. Various directors. In English.
The Maine Mayhem Film Festival is held in May of each year and showcases films by second year Communications and New Media students at Southern Maine Community College. Now in its 15th year, this year’s event will contain eight featured short films and 16 micro shorts.
Join artist Bhasha Chakrabarti as she explores artmaking as a process of mending—both literally and metaphorically. Challenging the traditional view of mending as a mundane act, Chakrabarti transforms it into a creative gesture that confronts fragility, vulnerability, and impermanence.
Join Anjuli Lebowitz, Judy Glickman Lauder Curator of Photography at PMA, for an engaging gallery talk on Jo Sandman: Skin Deep, exploring the artist’s profound connection to materiality and form.
111 minutes. Not Rated. Directed by Jia Zhangke. In Mandarin Chinese with English subtitles. DCP.
Master filmmaker Jia Zhangke (Ash Is Purest White) observes China’s rapid growth and social transformation in the 21st century through a combination of narrative and documentary footage shot over the past generation.
111 minutes. Not Rated. Directed by Jia Zhangke. In Mandarin Chinese with English subtitles. DCP.
Master filmmaker Jia Zhangke (Ash Is Purest White) observes China’s rapid growth and social transformation in the 21st century through a combination of narrative and documentary footage shot over the past generation.
111 minutes. Not Rated. Directed by Jia Zhangke. In Mandarin Chinese with English subtitles. DCP.
Master filmmaker Jia Zhangke (Ash Is Purest White) observes China’s rapid growth and social transformation in the 21st century through a combination of narrative and documentary footage shot over the past generation.
124 minutes. Rated PG. Directed by David Lynch. In English. DCP.
David Lynch’s anguished and sensitive portrait of John Merrick, nominated for eight Academy Awards, continues our retrospective of feature films by the late director.
Join artist Tom Burckhardt for an informal conversation in the galleries about his work featured in Painting Energy: The Alex Katz Foundation Collection at the Portland Museum of Art.
Visit the museum for drop-in drawing sessions in the galleries during Free Friday hours!
Get creative! Join us every 2nd Friday for Drawing in the Galleries during Free Friday. We’ll provide the materials—you bring the inspiration! No experience needed, just drop in and sketch surrounded by art.
201 minutes. Not Rated. Directed by Chantal Akerman. In French with English subtitles. DCP.
Named the “greatest film of all time” in Sight & Sound’s 2022 poll of film critics, Chantal Akerman’s endlessly engaging feminist masterpiece kicks off a series of landmark films from 1975.
201 minutes. Not Rated. Directed by Chantal Akerman. In French with English subtitles. DCP.
Named the “greatest film of all time” in Sight & Sound’s 2022 poll of film critics, Chantal Akerman’s endlessly engaging feminist masterpiece kicks off a series of landmark films from 1975.
112 minutes. Rated G. Directed by David Lynch. In English.
Lynch’s most surprising feature, about a man who drives his lawnmower to visit his estranged brother, continues our retrospective of feature films by the late director.
Visit the museum for free all day with an ever-changing monthly party.
The PMA and Opera Maine's prestigious Studio Artist Program present a special summer engagement. Tenor Jack Hicks will perform a diverse repertoire spanning multiple genres in response to artworks in the PMA collection.
88 minutes. Rated R. Directed by Sean Baker. In English. DCP.
Oscar phenom Sean Baker’s (Anora) breakthrough film is a hilarious and trenchant one-crazy-night odyssey through various subcultures of Los Angeles. A free screening for Portland Pride.
180 minutes. Rated R. Directed by David Lynch. In English and Polish with English subtitles. DCP.
David Lynch’s final feature film – the great work of early digital cinema – is an epic tumble through the rabbit hole, featuring a career-best performance by Laura Dern.
Hear from artist Marcus Leslie Singleton as he discusses his work in Painting Energy: The Alex Katz Foundation Collection at the Portland Museum of Art. Singleton shares his influences and how his work connects everyday moments with vivid color and energy that radiates from canvas to viewer.
Multidisciplinary artist Chase Hall explores race, identity, and history through narratives of power, earning him recognition as an essential voice in American contemporary art today.
126 minutes. Not Rated. Directed by Michelangelo Antonioni. In English, German, Spanish, and French with English subtitles. DCP.
Michelangelo Antonioni’s stunning existentialist travelogue and romantic thriller, starring a rarely-better Jack Nicholson, screens as part of a series of landmark films from 1975.
126 minutes. Not Rated. Directed by Michelangelo Antonioni. In English, German, Spanish, and French with English subtitles. DCP.
Michelangelo Antonioni’s stunning existentialist travelogue and romantic thriller, starring a rarely-better Jack Nicholson, screens as part of a series of landmark films from 1975.
124 minutes. Rated R. Directed by David Lynch. In English. DCP.
Edgy and controversial, David Lynch’s road-tripping neo-noir fantasia, starring Nicolas Cage and Laura Dern, concludes our retrospective of the director’s work.
92 minutes. Rated PG. Directed by Terry Gilliam, Terry Jones. In English. DCP.
Monty Python’s first original feature film, an irreverent and classic riff on Arthurian legend, screens as part of a series of landmark films from 1975.
92 minutes. Rated PG. Directed by Terry Gilliam, Terry Jones. In English. DCP.
Monty Python’s first original feature film, an irreverent and classic riff on Arthurian legend, screens as part of a series of landmark films from 1975.
Visit the museum for free all day with an ever-changing monthly party.
Artists Ann Craven and Jay Stern come together for a conversation on their creative processes and inspirations. Craven, known for her vibrant, emotive paintings, explores themes of nature, memory, and repetition. Stern’s expressive oil paintings delve into memory, time, and transformation, offering a layered perspective on artistic expression.
123 minutes. Not Rated. Directed by Ousmane Sembène. In French and Wolof with English subtitles. DCP.
A brilliant and unsparing satire of patriarchy and political corruption, Ousmane Sembène’s masterpiece screens as part of a series of landmark films from 1975.
94 minutes. Not Rated. Directed by David Maysles, Albert Maysles, Ellen Hovde, Muffie Meyer. In English. DCP.
An enormously influential (and entertaining) verité documentary as notable for its fashion as its singular view into an American dynasty, Grey Gardens screens as part of a series of landmark films from 1975.