On View & Happenings
We’re halfway through the summer, yet there’s still so much in store. From Cig Harvey sharing how Maine influences her work to the Summer Party to a special Jeremy Frey themed Family Day, August at the museum is like an Aperol spritz for your soul.
SHOP THE JEREMY FREY COLLECTION
From the only book on award-winning Indigenous basket maker Jeremy Frey to exclusive products developed alongside the artist, the PMA Store is your one-stop-shop to bring Woven home with you.
Woven Events
Explore the woven worlds of beauty, innovation, and tradition through Jeremy Frey's art. Engage in art-making activities with local artists, explore the galleries, and connect with others.
98 minutes. Rated PG. Directed by Rob Reiner. In English.
A man regales his ailing grandson with a tale of romance and adventure in this lighthearted fairy tale. This is a free Family Day screening and the first in a series of films selected by Jeremy Frey.
118 minutes. Rated PG. Directed by Desmond Davis. In English.
To win the right to marry his love, the beautiful princess Andromeda, and fulfil his destiny, half-God-half-mortal Perseus must complete various tasks including taming Pegasus, capturing Medusa's head and battling the feared Kraken. Screening as part of “Jeremy Frey Selects.”
108 minutes. Rated R. Directed by Charles Chrichton. In English.
An American flirts with a crook, a barrister and a mercenary to find diamonds in London in this classic caper, screening as part of “Jeremy Frey Selects.”
Join Passamaquoddy Artist Jeremy Frey for a live demonstration and insight into his basket weaving process.
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The party of the season is free for Director's Circle and Contemporaries, $75 for members
83 minutes. Not Rated. Directed by Glenn Holsten. In English. DCP.
As the heir to an unparalleled three-generation dynasty in American art, Jamie Wyeth struggles to find his own voice during the colorful turmoil of pop culture and politics from the 1960s to the present.
83 minutes. Not Rated. Directed by Glenn Holsten. In English. DCP.
As the heir to an unparalleled three-generation dynasty in American art, Jamie Wyeth struggles to find his own voice during the colorful turmoil of pop culture and politics from the 1960s to the present.
Come say hello to the PMA at Art in the Park, happening at Mill Creek Park in South Portland.
Learn
Check out Susie Konkel Family Gallery online, featuring masterpieces by kids, teens, and young adults, and then add your own work to the collection!
“His legacy is a new energy — a boldly contemporary take on an ancient woodland craft. ‘I’ve worked for more than 20 years reinventing this traditional art form,’ Frey says.”
Frey wants to have it all: to be a contemporary traditionalist, an artist-artisan, an internationalist exponent of his own tribe. It hasn’t been easy. More than two decades of unremitting effort, willpower and imagination have been necessary to get him this far.
While at the museum, you can see paintings by Winslow Homer and N.C. Wyeth, but don’t miss the work of artists who have broadened and deepened the legacy of Maine art in recent decades, including paintings by Reggie Burrows Hodges and Daniel Minter, and sculpture by Lauren Fensterstock.
The artist has donated over 150 works from his foundation’s collection to the Portland Museum of Art, among other institutions in the state.
“Passamaquoddy artist Jeremy Frey has become one of the most awarded and collected Indigenous basket weavers in the country for his contemporary mastery of the Wabanaki weaving tradition.”
“Wabanaki people originally wove baskets for functional purposes, but, over time, basketmaking has evolved into more of an art form. Today, some have taken the art of basketmaking to new levels--such as the renowned Passamaquoddy artist Jeremy Frey.”
Frey, a celebrated seventh-generation Indigenous basketmaker, uses the traditional designs of the Wabanaki tribal confederation of New England and the Canadian Maritimes as takeoff points for bold departures.
"...at last, there is a book available for the masses that celebrates [Frey's] impressive work."
“The exhibition is a dazzling showcase of his ability to take unconventional materials…and create objects of delicate, rhythmic delight.”
The baskets of Jeremy Frey from the Passamaquoddy tribe in Maine have caught the attention of the art world.
The museum has a collection of 19,000 objects and counting, and only a fraction are on display at any given time. We look at how these pieces get to the museum and where they go when they're not on display.
Portland Museum of Art’s ‘+ collection’ expands narrative about curation and exhibition process.
[Fragments of Epic Memory is] a celebration of kaleidoscopic talent and – with its companion display of 19th-century photography – extraordinary resilience.
The city received 2,000 responses from the public during an uncommonly collaborative selection process. Much has been made of the selected plan’s homage to the Wabanaki and of its use of “mass timber,” an environmentally friendly category of wood product that the museum wants to source here in Maine.
“This is a big shift,” said Shalini Le Gall, the museum’s chief curator. “I’m an art historian, but art history is not the only way to access art in a museum. We want to show people that art by its nature is not stable, and the scope of interpretation will always be changing.”
Tours begin at the Portland Museum of Art, where patrons can look at some of Homer’s paintings. Then a shuttle bus whisks visitors to Prout’s Neck to take in the studio and the yard that slopes down to the ocean. It is a step back in time to a place that feels surprisingly relatable.
When the French-born, Harlem-based artist Elizabeth Colomba starts an oil painting, she does so like the masters.
The show reveals the untold stories of stewards and students, the shadowed innovation, and the profound impact a small school in Rockport, Maine has had on photography.
A Portland Museum of Art exhibit takes a snapshot of a half-century of boundary-blurring photo workshops in Rockport.
The Portland Museum of Art has expanded a program that showcases its collection to people enjoying the outdoors.
Taken together, “Drawn to the Light” and “People Watching” provide an insightful selection of fine art photographs and make the point that Maine holds a significant place in contemporary photography.
The PMA has placed more than two dozen replicas of its collection outdoors. Most of the original pieces can be seen inside the walls of the museum, and this project is a way for Mainers and tourists to enjoy some of the art the museum has to offer as they walk, run, jog, and enjoy the great outdoors.
By bringing out the big guns, the show seeks to attract a wide audience, of course, but also show the outsized, cross-pollinating impact the little Maine school has had on the photographic world over the years.
The show includes almost 100 photographs from nearly 80 photographers, as well as a selection of Workshops-related publications.
It’s a show where labels really matter because they give new, contemporary context with which to consider the works on view. They really push us to think in new ways about who gets to write the history of art in America, who was left out of it and how that is – thankfully – changing.
With a nod toward the Portland Museum of Art’s lasting influence on producer [Karlina] Lyons, the film is coming to Portland as part of a 10-city U.S. tour.
PMA Films
VIEW ALL upcoming film screenings
83 minutes. Not Rated. Directed by Glenn Holsten. In English. DCP.
As the heir to an unparalleled three-generation dynasty in American art, Jamie Wyeth struggles to find his own voice during the colorful turmoil of pop culture and politics from the 1960s to the present.
83 minutes. Not Rated. Directed by Glenn Holsten. In English. DCP.
As the heir to an unparalleled three-generation dynasty in American art, Jamie Wyeth struggles to find his own voice during the colorful turmoil of pop culture and politics from the 1960s to the present.
98 minutes. Rated PG. Directed by Rob Reiner. In English.
A man regales his ailing grandson with a tale of romance and adventure in this lighthearted fairy tale. This is a free Family Day screening and the first in a series of films selected by Jeremy Frey.
83 minutes. Not Rated. Directed by Glenn Holsten. In English. DCP.
As the heir to an unparalleled three-generation dynasty in American art, Jamie Wyeth struggles to find his own voice during the colorful turmoil of pop culture and politics from the 1960s to the present.
83 minutes. Not Rated. Directed by Glenn Holsten. In English. DCP.
As the heir to an unparalleled three-generation dynasty in American art, Jamie Wyeth struggles to find his own voice during the colorful turmoil of pop culture and politics from the 1960s to the present.
83 minutes. Not Rated. Directed by Glenn Holsten. In English. DCP.
As the heir to an unparalleled three-generation dynasty in American art, Jamie Wyeth struggles to find his own voice during the colorful turmoil of pop culture and politics from the 1960s to the present.
106 minutes. Not Rated. Directed by Levan Akin. In Georgian and Turkish with English subtitles. DCP.
A retired school teacher living in Georgia seeks out her long lost niece, a transgender woman, after learning she has crossed the border into Turkey in this moving tale of cross-generational acceptance and connection.
106 minutes. Not Rated. Directed by Levan Akin. In Georgian and Turkish with English subtitles. DCP.
A retired school teacher living in Georgia seeks out her long lost niece, a transgender woman, after learning she has crossed the border into Turkey in this moving tale of cross-generational acceptance and connection.
106 minutes. Not Rated. Directed by Levan Akin. In Georgian and Turkish with English subtitles. DCP.
A retired school teacher living in Georgia seeks out her long lost niece, a transgender woman, after learning she has crossed the border into Turkey in this moving tale of cross-generational acceptance and connection.
118 minutes. Rated PG. Directed by Desmond Davis. In English.
To win the right to marry his love, the beautiful princess Andromeda, and fulfil his destiny, half-God-half-mortal Perseus must complete various tasks including taming Pegasus, capturing Medusa's head and battling the feared Kraken. Screening as part of “Jeremy Frey Selects.”
106 minutes. Not Rated. Directed by Levan Akin. In Georgian and Turkish with English subtitles. DCP.
A retired school teacher living in Georgia seeks out her long lost niece, a transgender woman, after learning she has crossed the border into Turkey in this moving tale of cross-generational acceptance and connection.
106 minutes. Not Rated. Directed by Levan Akin. In Georgian and Turkish with English subtitles. DCP.
A retired school teacher living in Georgia seeks out her long lost niece, a transgender woman, after learning she has crossed the border into Turkey in this moving tale of cross-generational acceptance and connection.
107 minutes. Rated R. Directed by Julian Brave NoiseCat and Emily Kassie. In English and Secwepemctsín with English subtitles. DCP.
A stunning tribute to the resilience of Native people and their way of life, the debut feature documentary from Julian Brave NoiseCat and Emily Kassie is an epic cinematic portrait of a community during a moment of international reckoning.
107 minutes. Rated R. Directed by Julian Brave NoiseCat and Emily Kassie. In English and Secwepemctsín with English subtitles. DCP.
A stunning tribute to the resilience of Native people and their way of life, the debut feature documentary from Julian Brave NoiseCat and Emily Kassie is an epic cinematic portrait of a community during a moment of international reckoning.
107 minutes. Rated R. Directed by Julian Brave NoiseCat and Emily Kassie. In English and Secwepemctsín with English subtitles. DCP.
A stunning tribute to the resilience of Native people and their way of life, the debut feature documentary from Julian Brave NoiseCat and Emily Kassie is an epic cinematic portrait of a community during a moment of international reckoning.
108 minutes. Rated R. Directed by Charles Chrichton. In English.
An American flirts with a crook, a barrister and a mercenary to find diamonds in London in this classic caper, screening as part of “Jeremy Frey Selects.”
107 minutes. Rated R. Directed by Julian Brave NoiseCat and Emily Kassie. In English and Secwepemctsín with English subtitles. DCP.
A stunning tribute to the resilience of Native people and their way of life, the debut feature documentary from Julian Brave NoiseCat and Emily Kassie is an epic cinematic portrait of a community during a moment of international reckoning.
107 minutes. Rated R. Directed by Julian Brave NoiseCat and Emily Kassie. In English and Secwepemctsín with English subtitles. DCP.
A stunning tribute to the resilience of Native people and their way of life, the debut feature documentary from Julian Brave NoiseCat and Emily Kassie is an epic cinematic portrait of a community during a moment of international reckoning.
114 minutes. Rated PG. Directed by Francis Ford Coppola. In English. DCP.
One of the great paranoid thrillers, Francis Ford Coppola’s masterpiece screens in a new 4K restoration in commemoration of the film’s 50th anniversary.
114 minutes. Rated PG. Directed by Francis Ford Coppola. In English. DCP.
One of the great paranoid thrillers, Francis Ford Coppola’s masterpiece screens in a new 4K restoration in commemoration of the film’s 50th anniversary.
114 minutes. Rated PG. Directed by Francis Ford Coppola. In English. DCP.
One of the great paranoid thrillers, Francis Ford Coppola’s masterpiece screens in a new 4K restoration in commemoration of the film’s 50th anniversary.
49 minutes. Not Rated. Directed by Harald Prins and Karen Carter. In English.
Showing as a companion to our current exhibit, Jeremy Frey: Woven, Our Lives In Our Hands examines the traditional Native American craft of split ash basketmaking as a means of economic and cultural survival for Aroostook Micmac Indians of northern Maine.
114 minutes. Rated PG. Directed by Francis Ford Coppola. In English. DCP.
One of the great paranoid thrillers, Francis Ford Coppola’s masterpiece screens in a new 4K restoration in commemoration of the film’s 50th anniversary.
114 minutes. Rated PG. Directed by Francis Ford Coppola. In English. DCP.
One of the great paranoid thrillers, Francis Ford Coppola’s masterpiece screens in a new 4K restoration in commemoration of the film’s 50th anniversary.
169 minutes. Not Rated. Directed by Victor Erice. In Spanish and Catalan with English subtitles. DCP.
Victor Erice’s (The Spirit of the Beehive) first film in 31 years is an entrancing journey into cinema and memory, about a filmmaker examining an abandoned work in hopes of finding his vanished lead actor.
169 minutes. Not Rated. Directed by Victor Erice. In Spanish and Catalan with English subtitles. DCP.
Victor Erice’s (The Spirit of the Beehive) first film in 31 years is an entrancing journey into cinema and memory, about a filmmaker examining an abandoned work in hopes of finding his vanished lead actor.
169 minutes. Not Rated. Directed by Victor Erice. In Spanish and Catalan with English subtitles. DCP.
Victor Erice’s (The Spirit of the Beehive) first film in 31 years is an entrancing journey into cinema and memory, about a filmmaker examining an abandoned work in hopes of finding his vanished lead actor.
169 minutes. Not Rated. Directed by Victor Erice. In Spanish and Catalan with English subtitles. DCP.
Victor Erice’s (The Spirit of the Beehive) first film in 31 years is an entrancing journey into cinema and memory, about a filmmaker examining an abandoned work in hopes of finding his vanished lead actor.
169 minutes. Not Rated. Directed by Victor Erice. In Spanish and Catalan with English subtitles. DCP.
Victor Erice’s (The Spirit of the Beehive) first film in 31 years is an entrancing journey into cinema and memory, about a filmmaker examining an abandoned work in hopes of finding his vanished lead actor.
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Contact membership@portlandmuseum.org for questions about membership or rsvp@portlandmuseum.org about programs and films.


