Ragnar Axelsson, RAX

Icelandic photographer Ragnar Axelsson, also known as RAX, has worked in some of the northernmost regions of the world, in Iceland, Greenland, and Siberia, documenting people, animals, and landscapes.

Ragnar Axelsson, RAX (Iceland, born 1958), The Sea—No 1, 2018. 285 gsm Portrait White cotton paper with archival ink, 46 1/2 x 67 inches. Courtesy of the artist. © Ragnar Axelsson

RAX first fell in love with the massive ice caps when he saw the ice-covered volcano in southeast Iceland, Oraefajokul, at seven years old. Ice caps cover over 10 percent of Iceland, shaping the country’s land and psyche. The photographer has nurtured a deep affinity for ice through his photography for more than four decades.

RAX’s pictures are documents of a specific time and environment, yet the emphasis on glacial forms, textures, and patterns abstracts them. His images highlight the region’s beauty and environmental degradation, specifically in respect to shrinking glaciers. The terminus is the end of a glacier, usually the lowest end, and is also often called a glacier toe or snout. The photographs on view connect the vital regional story to growing global concern over climate change.

Ragnar Axelsson, RAX (Iceland, born 1958), Terminus — No 5, 2018. 285 gsm Portrait White cotton paper with archival ink, 46 1/2 x 67 inches. Courtesy of the artist. © Ragnar Axelsson

The thrill of discovering the glaciers has made a deep and lasting impression. The ice falls, ice caves and gigantic icebergs floating in the lagoons, fascinating from the start, are fascinating still. Walking across a glacier’s cracked surface, climbing a mountain wrapped in thousand-year-old ice, and riding bareback over a raging glacial river, are extraordinary adventures; but exploring the glaciers from above changes one’s very understanding of a glacier itself.
— RAX

Explore more artworks from North Atlantic Triennial

Guest User2022 nat artist