Hyperallergic: Portland Museum of Art Kicks Off $85M Campaign To More Than Double Its Square Footage

Another definitive goal of the project is to expand the PMA’s rotating exhibition space, bringing it from 4,500 square feet to 10,000 and thus allow for more collaborations with institutions beyond Maine.

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Mainebiz: Portland Museum of Art sees community focus for new $85M expansion campaign

The museum’s capital campaign will fund the expansion from a total size of 38,000 square feet to nearly 100,000 square feet. The plans call for six- or seven-story building, an all-ages makers space, an auditorium, house local nonprofits and space for traveling exhibitions.

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Portland Museum of Art Announces $85 Million Campus Unification Project And New Vision For Museums, Backed By Community And Collection

The Portland Museum of Art believes museums need a paradigm shift that delivers on the promise of Art for All, and has announced an ambitious new vision that enables the PMA to be a leader in New England, a keystone for its communities, and a catalyst for the region's economy.

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Portland Press Herald: A brief history of the Portland Museum of Art

The Portland Museum of Art was founded in 1882 as the Portland Society of Art by a group of local artists. At 140 years old, it’s one of the country’s oldest art museums.

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ARTnews: Portland Museum of Art Launches $85 M. Campaign to Double the Size of its Downtown Campus

If realized, this will be the most ambitious renovation in the PMA’s 140-year history.

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207: Portland Museum of Art announces major expansion

While the groundbreaking for the building is likely three to four years away, it represents more than just adding space. It’s really about taking the museum in a new direction and opening it up.

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Portland Press Herald: Portland Museum of Art unveils plan to more than double size of campus

The Portland Museum of Art is launching a once-in-a-generation, $85 million capital campaign to expand a downtown campus that no longer has enough space to accommodate both its growing collection of diverse work and a steadily increasing number of visitors.

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From Mark H.C. Bessire

Sparked by the current growth and diversification of the collection, record attendance and community feedback, and new opportunities to expand and unify its campus, the Portland Museum of Art stands ready to embark on what will be its most ambitious and pioneering era yet.

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Ragnar Axelsson, RAX

In his photographs, Icelandic photographer Ragnar Axelsson, also known as RAX, uses soft focus, bright light and absolute black and white tones to reflect on the present and show us the condition the world is in. RAX has worked in some of the northernmost regions of the world, in Iceland, Greenland, and Siberia, documenting people, animals, and landscapes.

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Jordan Bennett

Jordan Bennett lives and works on his ancestral territory of Mi’kma’ki in Terence Bay, Nova Scotia. He explores land, language, and familial histories in his art to challenge colonial perceptions of Indigenous histories.

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Jason Brown aka Firefly

Jason Brown, also known as Firefly, is a Native American of the Penobscot Nation, with Swedish roots, born and raised in ancient Wabanaki territory. Deeply influenced by the traditions of his people, Firefly performs traditional hand drum, Shaker, and vocal songs as well as cutting edge musical compositions rooted in his ancestral traditions.

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Christopher Carroll

Maine-based artist Christopher Carroll is concerned about plant autonomy, or the capacity of plants to assess, perceive, and act on their environment, and in doing so, generate the conditions for their own flourishing.

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Jóhan Martin Christiansen

Jóhan Martin Christiansen is primarily a sculptor and installation artist who splits his time between the Faroe Islands and Copenhagen, Denmark. He draws inspiration from both natural and built environments. His work also engages with queer theory to explore the varieties and depths of sexual identity.

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Lauren Fensterstock

Portland-based artist Lauren Fensterstock creates detailed, labor- intensive, large-scale installations that draw from the decorative arts, including paper quilling and mosaic. She is preoccupied with our relationship to nature and humankind’s attempt to control it.

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Gideonsson/Londré

The artistic duo Gideonsson/Londré, who live and work in the village of Kallrör, Sweden, examine the relationship with time and body through performances, installations, and interventions.

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Julie Edel Hardenberg

Greenland’s complicated history informs the work of Inuk/Kalaaleq artist Julie Edel Hardenberg, who lives and works in Nuuk, the small capital city located on the southwest coast. She explores identity, culture, and language from a postcolonial perspective to address mental colonization, cultural assimilation, and socialization structures.

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Reggie Burrows Hodges

Reggie Burrows Hodges explores the power of storytelling and visual metaphor in his figurative paintings that address themes of identity, memory, community, and truth.

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Ann Cathrin November Høibo

Norwegian weaver Ann Cathrin November Høibo draws upon the pared- down aesthetic of her Nordic heritage to recraft landscapes in large-scale handwoven textiles.

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Joan Jonas

Joan Jonas is firmly placed historically as one of the first and most important figures of performance and video art. Since the 1970s, Jonas has split her time between New York and Nova Scotia, Canada. Her artistic practice encompasses video, performance, installation, sound, text, and drawing.

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Jessie Kleemann

Artist and poet Jessie Kleemann is originally from Upernavik in northern Greenland; today, she lives and works in Copenhagen, Denmark. Trained as a lithographic artist, she works with traditional and contemporary Inuit themes, video, music, poetry, and dance.

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