Posts tagged digital screenings
Some Kind of Heaven

83 minutes. Not rated. Directed by Lance Oppenheim.

First-time feature director Lance Oppenheim cracks the manicured facade of The Villages, America’s largest retirement community – a massive, self-contained utopia located in Central Florida. Behind the gates of this palm tree-lined fantasyland, Some Kind of Heaven invests in the dreams and desires of a small group of Villages residents – and one interloper – who are unable to find happiness within the community’s pre-packaged paradise.

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Tazzeka

95 minutes. Not rated. Directed by Jean-Philippe Gaud. In Arabic & French with English subtitles.

Growing up in the Moroccan village of Tazzeka, Elias learned the secrets of traditional Moroccan cuisine from his grandmother who raised him. Years later, meeting a top Paris chef and a young woman named Salma inspires him to leave home. In Paris, Elias faces unstable work and financial hardship as an undocumented immigrant. But he also finds friendship with Souleymane, who helps revive his passion for cooking.

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The Emoji Story

81 minutes. Not rated. Directed by Martha Shane & Ian Cheney. In English and Japanese with English subtitles.

In The Emoji Story, Directors Martha Shane and Ian Cheney lead viewers 👀 on a deep dive into the ever evolving world of picture characters, from their humble beginnings in Japan 🇯🇵 to mobile keyboards 📱 the world 🌎 over, and shed fresh light 💡 on the private consortium 👥 that approves new emoji offerings and the individuals fighting ✊ to make the language more representative of its billions of users.

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To The Ends Of The Earth

120 minutes. Not rated. Directed by Kiyoshi Kurosawa.

A young Japanese woman finds her cautious and insular nature tested when she travels to Uzbekistan to shoot the latest episode of her travel variety show. A brilliant mix of black comedy, travelogue, drama, and an adventure-imbued mockery of showbiz, To the Ends of the Earth is a young woman’s journey from displacement to a place of self-discovery.

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Smooth Talk

91 minutes. Not rated. Directed by Joyce Chopra.

Suspended between carefree youth and the harsh realities of the adult world, a teenage girl experiences an unsettling awakening in this haunting vision of innocence lost. Based on Joyce Carol Oates’ celebrated short story “Where Are You Going, Where Have You Been?” and produced for PBS’ American Playhouse, the narrative debut from director Joyce Chopra features a revelatory breakout performance from Laura Dern as Connie, the fifteen-year-old black sheep of her family whose summertime idyll of beach trips, mall hangouts, and innocent flirtations is shattered by an encounter with a mysterious stranger.

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Queen of Hearts: Audrey Flack

75 minutes. Not rated. Deborah Shaffer & Rachel Reichman.

At 88 years-old, Audrey Flack holds a unique place in the history of contemporary art in America. Feminist, rebel, mother, painter, sculptor and teacher, Audrey’s often controversial 40-year career evolved from abstract expressionism in the 1950s to photorealism in the 1970s. One of the first women ever included in the famed Janson’s History of Art, Audrey continues to create, explore, and inspire with her unique style and indomitable spirit.

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The Donut King

94 minutes. Not rated. Directed by Alice Gu.

The Donut King, Ted Ngoy's story is one of fate, love, survival, hard knocks, and redemption. It's the rags to riches story of a refugee escaping Cambodia, arriving in America in 1975 and building an unlikely multi-million dollar empire baking America’s favorite pastry, the donut. Ted sponsored hundreds of visas for incoming refugees and helped them get on their feet teaching them the ways of the donut business. By 1979 he was living the American Dream. But, in life, great rise can come with great falls.

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This Is Not A Movie

106 minutes. Not rated. Directed by Yung Chang.

For more than 40 years, journalist Robert Fisk has reported on some of the most violent and divisive conflicts in the world. Yung Chang’s This Is Not a Movie captures Fisk in action—feet on the ground, notebook in hand, as he travels into landscapes devastated by war, ferreting out the facts and firing reports back home to reach an audience of millions.

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