Portland Press Herald Art review: Portland, Ogunquit museums give collections contemporary context

It’s a show where labels really matter because they give new, contemporary context with which to consider the works on view. They really push us to think in new ways about who gets to write the history of art in America, who was left out of it and how that is – thankfully – changing.

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"Horse and Plowman," Winslow Homer
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"Target Audience: Pink Helmet," Reggie Burrows Hodges
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"Self Portrait in Greenhouse Window," Lois Dodd
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"Matinicus," George Wesley Bellows
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"Gulf Hagas," Joel Babb
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"Kinsman Falls," Marsden Hartley
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"Twilight at Stroudwater," Charles Frederick Kimball
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"Lady at Houghton Farm," Winslow Homer
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"Beaver Dam Pond, Acadia National Park," Richard Estes
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"The Seine at Vétheuil," Claude Monet
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"Neighbor’s House in the Snow," Lois Dodd
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"Castine Harbor," Fitz Henry Lane
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"Blue Savanna," Dahlov Ipcar
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"Low Tide at the Pier, Maine," John Steuart Curry
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"Down the Cliff," Winslow Homer
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"The Portland," Antonio Jacobsen
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"Weatherbeaten," Winslow Homer
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"Taking an Observation," Winslow Homer
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