It’s an exhibit that will be worthy of a road trip to Portland, the hipster capital of Maine, famed for its food scene, vitality and its artistic sensibility.
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With seminal works of art by leaders of the midcentury studio craft movement, the exhibition asserts Haystacks central role in national debates about the boundaries between art, craft, and design.
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The Theater Ensemble of Color’s Artistic Director René Goddess Johnson and Nick Schroeder, Affiliate Producer, share insights into their organization and how they planned for the production of Ashley Bryan’s Beautiful Blackbird.
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“To me, it’s community. It has nothing to do with what you call it. As long as you have what you call community, that’s always what I’m after, how you create community wherever you go. I think that’s the most important thing—that you feel that you have that outreach to others and that in some way, each one affects the lives of the others, and in very direct ways when needed. That’s the way it was on these islands.”
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