Amplifying Your Auditorium Experience
There’s a whole new immersive experience happening at the PMA...
If you’re one of the hundreds who watched the Joan Baez documentary, I Am Noise, recently, you were among the first to witness the first digital cinema offerings in PMA’s storied history.
This past summer, with assistance from a friend of the museum, we made major upgrades to the Bernard Osher Foundation Auditorium, with a goal to improve visitor experience during films, lectures, ceremonies, and the multitudes of events that take place in the PMA’s auditorium. We are thrilled to say that we are now able to offer a better, more engaging experience for all at PMA Films and beyond.
The most notable change is the addition of a new projector for the museum to exhibit modern Digital Cinema Compliant feature films and lecture images in high resolution and full color. This work allowed for the integration of a Dolby Sound Processor, the restoration of the theater’s center channel, and the infrastructure to provide calibrated multichannel sound performance (Dolby 5.1).
Our auditorium is not only better than ever with updated stage and podium microphones, but now supports wireless hearing-assistance devices. Over the next few weeks, we will make further improvements to audio and will add high-definition television cameras to record presentations and enable live-streaming.
Check out what’s coming up and enjoy the improvements yourself!
99 minutes. Not Rated. Directed by Harris Dickinson. In English. DCP.
The debut feature film by Harris Dickinson is a distinctive and empathetic exploration of life on the margins of London, featuring a galvanizing performance by Frank Dillane.
102 minutes. Rated PG-13. Directed by Jafar Panahi. In Persian with English subtitles. DCP.
Master filmmaker Jafar Panahi creates a deeply felt moral thriller, where high stakes tension combines with unexpected flurries of humor and thoughtful, sometimes devastating questions regarding persecution and revenge. Winner of the 2025 Palme D'Or at the Cannes Film Festival.
76 minutes. Not Rated. Directed by Ira Sachs. In English. DCP.
The photographer Peter Hujar, whose images exist in an important lineage and dialogue with the work of groundbreaking gay artists such as Robert Mapplethorpe and David Wojnarowicz, forms the center of the latest movie by fearless independent American filmmaker Ira Sachs (Passages).
99 minutes. Not Rated. Directed by Harris Dickinson. In English. DCP.
The debut feature film by Harris Dickinson is a distinctive and empathetic exploration of life on the margins of London, featuring a galvanizing performance by Frank Dillane.
99 minutes. Not Rated. Directed by Harris Dickinson. In English. DCP.
The debut feature film by Harris Dickinson is a distinctive and empathetic exploration of life on the margins of London, featuring a galvanizing performance by Frank Dillane.
76 minutes. Not Rated. Directed by Ira Sachs. In English. DCP.
The photographer Peter Hujar, whose images exist in an important lineage and dialogue with the work of groundbreaking gay artists such as Robert Mapplethorpe and David Wojnarowicz, forms the center of the latest movie by fearless independent American filmmaker Ira Sachs (Passages).
76 minutes. Not Rated. Directed by Ira Sachs. In English. DCP.
The photographer Peter Hujar, whose images exist in an important lineage and dialogue with the work of groundbreaking gay artists such as Robert Mapplethorpe and David Wojnarowicz, forms the center of the latest movie by fearless independent American filmmaker Ira Sachs (Passages).
73 minutes (followed by discussion). Not Rated. Directed by Kaitlyn Schwalje and Alex Wolf Lewis. In English. DCP.
As America’s aging wastewater systems begin to fail, one plant and its motley crew of unlikely heroes do all they can to stay afloat. Presented in collaboration with Points North, this screening will be followed by a filmmaker discussion.
76 minutes. Not Rated. Directed by Ira Sachs. In English. DCP.
The photographer Peter Hujar, whose images exist in an important lineage and dialogue with the work of groundbreaking gay artists such as Robert Mapplethorpe and David Wojnarowicz, forms the center of the latest movie by fearless independent American filmmaker Ira Sachs (Passages).
99 minutes. Not Rated. Directed by Harris Dickinson. In English. DCP.
The debut feature film by Harris Dickinson is a distinctive and empathetic exploration of life on the margins of London, featuring a galvanizing performance by Frank Dillane.
76 minutes. Not Rated. Directed by Ira Sachs. In English. DCP.
The photographer Peter Hujar, whose images exist in an important lineage and dialogue with the work of groundbreaking gay artists such as Robert Mapplethorpe and David Wojnarowicz, forms the center of the latest movie by fearless independent American filmmaker Ira Sachs (Passages).
74 minutes. Not Rated. Directed by Fred Wolf. In English.
Narrated by Ringo Starr and featuring music by Harry Nilsson, this animated 1971 TV special kicks off a weekend partnership with Chris Brown, The Walrus, and Beatles Night. This screening will be introduced by Dan Sonenberg, Professor and Director of Composition Studies at University of Southern Maine. Discounted tickets are available for concert tickeholders.
87 minutes. Rated G. Directed by Richard Lester. In English. DCP.
Directed with raucous, anything-goes verve by Richard Lester and featuring a slew of iconic pop anthems, A Hard Day’s Night, which reconceived the movie musical and exerted an incalculable influence on the music video, is one of the most deliriously entertaining movies of all time. Presented with Chris Brown, The Walrus, and Beatles Night. Discounted tickets are available for concert tickeholders
138 minutes. Rated R. Directed by Miloš Forman. In English. DCP.
Forman’s iconic story of rebellion against the system, which swept the Academy Awards in 1976, screens as part of a series celebrating the great films of 1975.
138 minutes. Rated R. Directed by Miloš Forman. In English. DCP.
Forman’s iconic story of rebellion against the system, which swept the Academy Awards in 1976, screens as part of a series celebrating the great films of 1975.
76 minutes. Not Rated. Directed by Ira Sachs. In English. DCP.
The photographer Peter Hujar, whose images exist in an important lineage and dialogue with the work of groundbreaking gay artists such as Robert Mapplethorpe and David Wojnarowicz, forms the center of the latest movie by fearless independent American filmmaker Ira Sachs (Passages).
113 minutes. Rated R. Directed by Mary Bronstein. In English. DCP.
With her life crashing down around her, Linda (Rose Byrne) attempts to navigate her child's mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist.
100 minutes. Not Rated. Directed by David Bickerstaff and Phil Grabsky. In English. DCP.
Featuring masterpiece after masterpiece and testimony from leading experts from around the world, Caravaggioimmerses audiences in the hidden narratives of the artist’s life, piecing together clues embedded within his incredible art.
100 minutes. Not Rated. Directed by David Bickerstaff and Phil Grabsky. In English. DCP.
Featuring masterpiece after masterpiece and testimony from leading experts from around the world, Caravaggioimmerses audiences in the hidden narratives of the artist’s life, piecing together clues embedded within his incredible art.
113 minutes. Rated R. Directed by Mary Bronstein. In English. DCP.
With her life crashing down around her, Linda (Rose Byrne) attempts to navigate her child's mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist.
113 minutes. Rated R. Directed by Mary Bronstein. In English. DCP.
With her life crashing down around her, Linda (Rose Byrne) attempts to navigate her child's mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist.
60 minutes (followed by discussion). Not Rated. Directed by Dante Alencastre. In English.
Trailblazing trans activist Connie Norman evolves as an irrepressible, challenging and soulful voice for the AIDS and queer communities of early 90's Los Angeles. This is a free screening in commemoration of World AIDS Day on December 1. Presented with Frannie Peabody Center, and followed by a discussion with the filmmaker.
100 minutes. Not Rated. Directed by David Bickerstaff and Phil Grabsky. In English. DCP.
Featuring masterpiece after masterpiece and testimony from leading experts from around the world, Caravaggioimmerses audiences in the hidden narratives of the artist’s life, piecing together clues embedded within his incredible art.
125 minutes. Not Rated. Directed by Lino Brocka. In Filipino with English subtitles. DCP.
Mixing visceral, documentary-like realism with the narrative focus of Hollywood noir and melodrama, Manila in the Claws of Light is a howl of anguish from one of the most celebrated figures in Philippine cinema.
113 minutes. Rated R. Directed by Mary Bronstein. In English. DCP.
With her life crashing down around her, Linda (Rose Byrne) attempts to navigate her child's mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist.
73 minutes (followed by discussion). Not Rated. Directed by Kaitlyn Schwalje and Alex Wolf Lewis. In English. DCP.
As America’s aging wastewater systems begin to fail, one plant and its motley crew of unlikely heroes do all they can to stay afloat. Presented in collaboration with Points North, this screening will be followed by a filmmaker discussion.
113 minutes. Rated R. Directed by Mary Bronstein. In English. DCP.
With her life crashing down around her, Linda (Rose Byrne) attempts to navigate her child's mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist.
100 minutes. Not Rated. Directed by David Bickerstaff and Phil Grabsky. In English. DCP.
Featuring masterpiece after masterpiece and testimony from leading experts from around the world, Caravaggioimmerses audiences in the hidden narratives of the artist’s life, piecing together clues embedded within his incredible art.
100 minutes. Not Rated. Directed by David Bickerstaff and Phil Grabsky. In English. DCP.
Featuring masterpiece after masterpiece and testimony from leading experts from around the world, Caravaggioimmerses audiences in the hidden narratives of the artist’s life, piecing together clues embedded within his incredible art.
113 minutes. Rated R. Directed by Mary Bronstein. In English. DCP.
With her life crashing down around her, Linda (Rose Byrne) attempts to navigate her child's mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist.