About The Conference

Accommodations

Agenda

Speakers

Sponsors

Advance registration is closed. Day-of Registration will be available 8–9 a.m. each day of the conference.

AGENDA

Wednesday
Thursday
Friday

Wednesday, November 13

Pre-Conference Field Trips, purchased separately from the conference tickets.
All attendees must wear sturdy, closed-toed shoes and long pants because we will be visiting forests and active manufacturing sites.

7 to 8:30 AM | Breakfast
Portland Museum of Art Great Hall (7 Congress Square)

FIELD TRIP 1: WOOD/MASS TIMBER R&D AND PRODUCT INNOVATIONS

8 a.m. to 4:30 p.m. Field Trip
7:45 to 7:55 a.m.Trip Check In 

FIELD TRIP 2: MASS TIMBER BUILDINGS & PREFABRICATION

8 a.m. to 4 p.m. Field Trip
7:45 to 7:55 a.m.Trip Check In

FIELD TRIP 3: PORTLAND AREA TASTE OF TIMBER

9 a.m. to 4 p.m. Field Trip
8:30 to 8:55 a.m. Trip Check In

Thursday, november 14

Conference events take place at the University of Southern Maine Portland campus unless otherwise noted.


8 to 9 AM | Registration and Continental Breakfast
Abromson Center at the University of Southern Maine, Portland

9 AM | Introduction and Welcome
Hannaford Hall, Abromsom Center

Timber Talks
Hannaford Hall

9:10 AM — CLIMATE COMMUNICATION THROUGH MUSIC AND THE ARTS

Sophie Davis & Luke Fatora, Artistic Directors, Halcyon

Join Halcyon for a conversation about how music, animation, science, and film …

Join Halcyon for a conversation about how music, animation, science, and film let us communicate and reflect on the climate crisis while imagining and articulating positive, creative, and sustainable visions for our collective future.

SPEAKER BIOS

Sophie Davis

Sophie is a Maine-based violinist, climate change artist, and the Artistic Director of Halcyon, an artist collective that strives to inspire environmental stewardship through music and the arts. Originally from Maine, Sophie received degrees in violin performance and environmental studies from Oberlin College and Conservatory where she studied with David Bowlin. Playing and sharing music are integral to Sophie’s creative and professional practice. She has participated in the Perlman Chamber Music Workshop, Kneisel Hall Young Artists Program, and at festivals throughout the United States, India, Jordan, Australia, and Samoa. In 2017–18, Sophie was awarded a Fulbright Research Grant to the South Pacific island nation of Samoa where she studied how music and the arts raise awareness of climate change. As a violinist and core member of Halcyon, Sophie collaborates frequently with other musicians, artists, activists, and scientists to create multimedia performances that combine live music with film, stop-motion animation, story, and art. Her creative practice combines the honesty of science and statistical fact with the emotional qualities of film and music. Recent projects have led her to pursue coursework in stop-motion animation; research the internal documents of the Exxon Corporation; build a contact microphone to record the sounds of ice-out; and record humpback whale song aboard a tall ship in the Lesser Antilles.

Luke Fatora

Luke Fatora is a violinist, educator, filmmaker and stop motion animator. His work combines music with other media to make abstract concepts emotional and tangible. As a violinist, he has performed in contexts that include fiddling for square dances, improvising with dancers and DJs and performing contemporary and traditional classical music in the World Financial Center and Carnegie Hall. Many of Luke’s films are designed to be synchronized in real time with a live musical performance — his works have been shown at the Maine International Film Festival and performed by Halcyon throughout the New England region.

9:25 AM — THE CREATION OF Tekαkαpimək WELCOME CENTER IN KATAHDIN WOODS AND WATERS

Lucas St. Clair, President, Elliotsville Foundation, Inc.

In the newly established Katahdin Woods and Waters National Monument, a remarkable building has recently been constructed …

In the newly established Katahdin Woods and Waters National Monument, a remarkable building has recently been constructed. Utilizing state of the art technology, green and renewable energy systems, and a variety of mass timber applications, the building breaks the mold for visitor experiences in National Parks. Tekαkαpimək is the product of Indigenous partnership and authentic storytelling, creating an environment that welcomes and informs visitors through a Wabanaki world view.

SPEAKER BIO

Luke Fatora is a violinist, educator, filmmaker and stop motion animator. His work combines music with other media to make abstract concepts emotional and tangible. As a violinist, he has performed in contexts that include fiddling for square dances, improvising with dancers and DJs and performing contemporary and traditional classical music in the World Financial Center and Carnegie Hall. Many of Luke’s films are designed to be synchronized in real time with a live musical performance — his works have been shown at the Maine International Film Festival and performed by Halcyon throughout the New England region.

9:40 AM — JOY OF MASS TIMBER

Tom S. Chung, Principal, Leers Weinzapfel Associates

Inspired by the Kreher Preserve and Nature Center (KPNC) at Auburn University and their mission to educate our youngest citizens to be good stewards of our natural environment …

Inspired by the Kreher Preserve and Nature Center (KPNC) at Auburn University and their mission to educate our youngest citizens to be good stewards of our natural environment, the Environmental Education Center (EEB) is designed to convey harmony between plant life, animal life and humans. An all-wood building featuring mass timber made with local wood, we hope it will in turn inspire our citizens young and old to advocate for a sustainable way of life that brings Joy and enriches our lives.

SPEAKER BIOS

Tom designs buildings to be welcoming, transparent, and sustainable, reflecting our values of diversity, democracy, and care for our environment. His projects include the John W. Olver Design Building at University of Massachusetts Amherst, recipient of AIA Honor Award, AIA Education Award and AIA Cote Top Ten Award, and Adohi Hall at University of Arkansas, recipient of the AIA Housing Award. They are both pioneering examples of mass timber architecture in the US, making accessible to the public, aesthetic and experiential beauty of this new/old material.

Tom is a national leader in the practice and education of Mass Timber Design. He has worked closely with researchers, engineers and fabricators to gain mastery over this new technology. Over the past eight years, he has been invited to speak on this emerging subject at conferences, seminars and workshops world-wide including Canada, Costa Rica, Mexico, Peru, South Korea, and throughout the United States. His graduate studio “Mass Timber and New England” was awarded the inaugural Timber Education Prize by ACSA and he has led the Timber Development Workshop for architecture faculty across accredited schools of architecture in the US.

Tom shares his design passion and built work experience in mass timber with his peers through AIA continuing education and with the next generation of architects through teaching. Tom is currently Professor of Practice at Auburn University and serves on the Dean’s Advisory Board at his alma mater, University of Virginia.

9:55 AM — THE ART OF REBUILDING RURAL COMMUNITIES & ECONOMIES

Yellow Light Breen, President and CEO, Maine Development Foundation

After decades of decline, and the heartbreaking economic catastrophe of multiple closures of paper mills and other manufacturing – rural Maine is on the comeback trail …

After decades of decline, and the heartbreaking economic catastrophe of multiple closures of paper mills and other manufacturing – rural Maine is on the comeback trail. This comeback – of which Mass Timber will be a part — is fueled by collaboratively reimagining our natural resources heritage into an innovative, diversified, sustainable local economy that competes on a global scale: the Forest Opportunity Roadmap for Maine.

SPEAKER BIO

Yellow’s passion is promoting economic and educational opportunity for all Mainers regardless of geography or background. He became CEO of the Maine Development Foundation in August 2015, where he develops strategic direction, integration, and partnerships across MDF’s mission and programs. The Maine Development Foundation (MDF) is a legislatively-created, non-partisan public-private partnership that drives sustainable, long-term economic growth for Maine. MDF does this through trusted research, leadership, and creative cross-sector partnerships. Yellow has a diverse background in business, public policy, and law. He spent twelve years as an executive with Bangor Savings Bank, overseeing strategic planning, marketing, online banking, community development, and charitable activities. Prior, he was a senior official at the Maine Department of Education and an advisor to Independent Governor Angus King. Yellow was born and raised in rural, central Maine, a product of Maine public schools, and earned undergraduate and law degrees from Harvard University.

10:10 AM — FROM FOREST TO FRAME: NONPROFITS SUPPORTING A SUSTAINABLE TIMBER INDUSTRY FOR A GREENER FUTURE

Mark H.C. Bessire, Judy and Leonard Lauder Director, Portland Museum of Art

Join Mark Bessire, Director of the Portland Museum of Art, as he explores how nonprofits are helping to champion sustainable practices in the timber industry …

Join Mark Bessire, Director of the Portland Museum of Art, as he explores how nonprofits are helping to champion sustainable practices in the timber industry, promoting economic opportunity while prioritizing environmental stewardship. By fostering collaboration across conservation, creativity, and commerce, learn how nonprofits can advocate for sustainable forestry, uplifting local economies, and inspiring innovation through the power of art.

SPEAKER BIO

Mark H.C. Bessire was named Judy and Leonard Lauder Director of the Portland Museum of Art in 2009. In the years since, Bessire has led the PMA through a period of unprecedented growth, evolution, and innovation across collections, exhibitions, audience engagement, community collaboration, and critically, diversity, equity, inclusivity, access, and sustainability.
Prior to serving as Director of the PMA, Bessire was the Director of the Bates College Museum of Art in Lewiston, Maine, where he initiated a Collections Project Series, worked with departments to create cross-disciplinary exhibitions through a Synergy Fund, exhibited Chinese art to support Bates’ strong Asian Studies program, and strengthened the Friends of the Museum program. From 1998 to 2003, he served as Director of the Institute of Contemporary Art at the Maine College of Art in Portland, Maine, where he organized many exhibitions, including The Photography of Ike Ude and Eracism: William Pope.L, which traveled nationally and was accompanied by an MIT Press Publication.
Bessire holds an M.B.A. from Columbia University, an M.A. in Art History from Hunter College, and a B.A. from New York University. He was a Helena Rubinstein Fellow at the Whitney Museum of Art and a Fulbright Fellow in Tanzania. He has published widely, including three books with MIT Press, has organized numerous traveling exhibitions, and has participated on national art juries.

Albert Bierstadt (United States (born Germany), 1830–1902), Autumn Birches (Approaching Storm), circa 1860, oil on board, 14 x 19 1/2 inches. Bequest of Elizabeth B. Noyce, 1996.38.2. Image courtesy Luc Demers

10:25 to 10:40 AM | Morning Break

TIMBER TALKS continue
Hannaford Hall

10:45 AM — EXPLORING JESUP’S MASS TIMBER EXPANSION: USING “LOCAL” CLT TO EXPAND SOCIAL INFRASTRUCTURE IN DOWNEAST ACADIA

Matt DeLaney, Library Director, Jesup Memorial Library

Bar Harbor’s Jesup Memorial Library has been pursuing a modern expansion to its historic building for more than a decade …

Bar Harbor’s Jesup Memorial Library has been pursuing a modern expansion to its historic building for more than a decade. In 2023, a partnership between the library, forest industry leaders and educators, CLT manufacturers, architects, engineers and contractors helped elevate this small-town library expansion to a nationally recognized demonstration project helping pave the way for broader adoption of locally sourced wood into mass timber construction. Learn why this project, in this town, at this time, will help bring mass timber construction to the attention of builders, developers, designers, and owners around the world.

SPEAKER BIO

Matt DeLaney is a public librarian interested in the important role that libraries play in social and economic development in fast-changing, rural communities. Currently, Matt is the Director of the Jesup Memorial Library in Bar Harbor, ME, where he is leading a mass timber expansion of the library’s historic 1911 building. The Jesup Mass Timber Expansion, designed by Simons Architects in Portland, is the first building in Maine to be constructed with locally-sourced cross laminated timber. Awarded Maine’s Outstanding Librarian of the Year in 2018, Matt is focused on the innovative ways that libraries can create accessible, sustainable, and inspiring public spaces.

11:00 AM — THE NEW WCMA: MASS TIMBER AND THE MUSEUM ENVIRONMENT

Pamela Franks, Director, and Devon Nowlin, Museum Project Director, Williams College Museum of Art

Pam Franks and Devon Nowlin will share designs for the new Williams College Museum of Art …

Pam Franks and Devon Nowlin will share designs for the new Williams College Museum of Art. Designed by SO-IL with a distinctive mass timber structure, this will be the first purpose-built home for WCMA in its 100-year long history as a teaching museum. Pam and Devon bring the client’s perspective on mass timber as an impactful choice for the museum as a learning and social hub for the 21st century, and one that advances WCMA’s mission to train the next generation of museum leaders.

SPEAKER BIOS

Pamela Franks

Pamela Franks is the Class of 1956 Director of the Williams College Museum of Art, a role she assumed in 2018 following more than a decade working at the Yale University Art Gallery. Franks is energized by the potential college and university art museums hold for learning, community, and imagining future museum experiences and practices. She is currently working with SO-IL on WCMA’s first purpose-built building scheduled to open in 2027.

Devon Nowlin

Devon Nowlin (she/her) is a dedicated art professional with a background in museum design, renovation and construction, complex collections and exhibitions management, and team coordination across stakeholders, consultants and contractors. Currently the Museum Project Director for Williams College, she works as the liaison between the building project team and college staff to ensure museum standards throughout the design, operations and enabling needs for a new 76,000 sq ft teaching museum with a mass timber structure, designed by SO-IL

11:15 AM — THE ORIGINAL MASS TIMBER IN MAINE

Amelia Baxter, Co-founder and CEO, WholeTrees Architecture and Structures

How OMTMaine launched a market and then a factory for whole tree structural products, and why this matters to forests and their communities …

How OMTMaine launched a market and then a factory for whole tree structural products, and why this matters to forests and their communities. Mass Timber is defined as a timber structural product “massive” enough to withstand >1‑hour fire rating; and produced via a scaled fabrication process that can reliably deliver carbon-sequestering timber systems. WholeTrees Structures brings to the built environment the joy of the Original Mass Timber, trees, and the awe and delight of the Original Mass Timber fabrication facility: forests. CEO, Amelia Baxter, co-founded a company that unites the brilliance of a forest’s naturally engineered wood products (trees) to new commercial construction markets in the form of Solid Structural Timber (SST), both round and sawn. Of all mass timber products, SST has the lowest capex entry costs for fabricators, highest prices paid to foresters, and least carbon emissions. Baxter will share how the recent opening of WholeTrees Maine amplifies the voice of Maine forests, inspiring Solid Structural Timber construction throughout the eastern U.S. and beyond.

SPEAKER BIO

Co-Founder & CEO Amelia Baxter founded WholeTrees in 2007 to redevelop solid timber as a sophisticated, biophilic, and urban structural product. Since that time, WholeTrees has grown exponentially in both profit and notoriety as it launched sustainable forestry partnerships to become the National leader and unrivaled expert in engineering unmilled timber for commercial construction. From carbon-smart sourcing to engineering and fabrication, the team leverages proprietary tech, tools, and a nation-wide network to streamline the process of specifying and delivering columns, trusses, beams & custom assemblies to the built environment. By raising grants and equity investment, attracting national executive talent, managing strategic research and expansion, and pinpointing nascent commercial markets for trees as structure, she has ensured WholeTrees is at the forefront of the utilization of trees in the modern built environment.

11:30 AM — CLIMATE ACTION AT BOSTON UNIVERSITY WITH MASS TIMBER

Dennis Carlberg, Chief Sustainability Officer & Associate Vice President for Climate Action, Boston University

Boston University’s Climate Action Plan set three operational goals: 1) prepare our campuses for the impacts of a changing climate …

Boston University’s Climate Action Plan set three operational goals: 1) prepare our campuses for the impacts of a changing climate, 2) Net Zero direct emissions by 2040, and 3) act on indirect emissions — including reducing emissions associated with building new buildings. With this context, Carlberg will share what the University is doing to reduce embodied carbon and the importance of Mass Timber in this work. He will also touch on how we think beyond our campuses to influence markets. This is particularly important for Mass Timber in New England.

SPEAKER BIO

Dennis Carlberg is the Chief Sustainability Officer & Associate Vice President for Climate Action at Boston University where he focuses on building the programs necessary for mitigating BU’s impacts on climate change, preparing its campuses for climate change, and supporting the integration of sustainability into the curriculum. Prior to joining BU in 2009, Dennis was a principal at Arrowstreet, a Boston-based architectural firm where he focused on sustainable design. He began his career at the Solar Energy Research Institute (now the National Renewable Energy Lab) conducting daylighting research to reduce building energy consumption and improve the indoor environment. Dennis co-chairs the Boston Green Ribbon Commission Higher Ed Working Group. He is the University’s Liaison to the University Climate Change Coalition, a group of 23 leading R1 research universities committed to accelerating climate action on their campuses, in their communities, and collaboratively at a global scale. He received his Master of Architecture from MIT and his Bachelor of Arts in Architecture from UC Berkeley.

11:45 AM— SHEDDING LIGHT ON THE WORKING FOREST: A VISUAL ARTIST AND POET SHARE THEIR INTIMATE EXPLORATION

Kathleen Kolb & Verandah Porche, Authors of Shedding Light on the Working Forest

What stops your mind as you wander, Camouflaged in silence, to the landing? Stamina: the body language of necessity; Humor: the by-product of risk-defiance…

What stops your mind as you wander, Camouflaged in silence, to the landing? Stamina: the body language of necessity;Humor: the by-product of risk-defiance.

We will share a selection of Kolb’s paintings of the working forest with a brief explanation of the project we did together to explore the unseen work done in the woods, and Porche will read a selection of the poems and told poems that she created with the subjects in the paintings. The project was presented in a traveling exhibition that went from Bangor to Ohio and was documented in a book.

SPEAKER BIOS

Kathleen Kolb

Kathleen Kolb is known for her luminous landscape paintings of New England’s rural terrain and architecture rendered in oil and watercolor. Kolb earned a BFA from the Rhode Island School of Design. Her realist paintings capture the dramatic effects of light, and Kolb is interested in the notion of belonging evoked by our attachment to certain places. “Shedding Light on the Working Forest” (2014–17), a three-year collaboration with poet Verandah Porche, combines Kolb’s paintings and Porche’s poems to contemplate the artists’ relationship with nature. The exhibition toured six states. Kolb’s close, constant observation of the Vermont landscape and the impact of climate change on the environment have also inspired a political subtext to her works. In 2009, she was one of ten artists selected to participate in the Vermont Arts Council’s “Art of Action” project, addressing the state’s future. Kolb’s work has been included in exhibitions at the Ballinglen Museum of Art in Ireland, Shelburne Museum and the Fleming Museum of Art in Vermont, the Butler Institute of American Art in Ohio and the New Britain Museum of American Art in CT.

Verandah Porche

Verandah Porche works as a poet, performer, songwriter, and scribe.

Based in rural Vermont on the notable commune Total Loss Farm, since 1968, she has published Sudden Eden (Verdant Books), The Body’s Symmetry (Harper and Row) and Glancing Off (See Through Books).

Verandah developed a practice called ‘told poetry’ or ‘shared narrative’ to create personal literature with people who need a writing partner. She has run

collaborative residencies in hospitals, factories, nursing homes, senior centers,

a 200 year-old Vermont tavern, and an urban working class neighborhood. “Shedding Light on the Working Forest,” exploring the lives of people who earn their livelihood in the woods, is a collaboration with visual artist Kathleen Kolb.

Verandah serves on the Selectboard of Guilford, Vermont, exploring the poetics of civic life.

12:00 PM — WHY TIMBER?

Chandra Robinson, Principal, LEVER Architecture

From land restoration, human health and wellness to local economic support — there are many reasons to use timber in construction today …

From land restoration, human health and wellness to local economic support — there are many reasons to use timber in construction today. Engaging with local manufacturers and forest owners, designers are pushing the industry forward. Hear case studies of unique LEVER Architecture projects that impacted their regions and the potential that Maine mass timber has to do even more.

Maria a’Becket (United States, 1839–1904), Hillside Landscape, circa 1870, oil on canvas, 20 x 30 inches. Museum purchase with support from Katherine Woodman, 2005.8

12:30 to 1:45 PM | Lunch
McGoldrick Center

Remarks from Aaron Witham, Director of Sustainability at the University of Southern Maine, and Maritza Frost, a senior from the University of Southern Maine and the Lead Sustainability Tour Guide.

1:50 to 2:50 PM | Afternoon Workshop Sessions
Abromson Center

Amelia Baxter
Whole Trees

Matt DeLaney
Jesup Memorial Library

Yellow Light Breen
Maine Development Foundation.

Moderated by
Joe Short, Northern Forest Center

Mark Bessire
Portland Museum of Art

Pamela Franks and Devon Nowlin
Williams College Museum of Art

Moderated by
Elizabeth Jones, Portland Museum of Art

Dennis Carlberg
Boston University

Sophie Davis and Luke Fatora
Halcyon

Verandah Porche and Kathleen Kolb

Moderated by
Jen Shakun, New England Forestry Foundation.

Tom S. Chung
LEERS WEINZAPFEL ASSOCIATES

Chandra Robinson
LEVER ARCHITECTURE

Newell Convers Wyeth (United States, 1882–1945), Georges Islands, Penobscot Bay, Maine, 1928–1929, oil on canvas, 42 3/16 x 48 1/8 inches. Anonymous gift, 1984.63. Image courtesy Luc Demers

3:05 to 3:25 PM | Break

3:30 to 4:30 PM | Keynote
Hannaford Hall, Abromsom Center

READING THE SIGNALS FROM THE FOREST

Alan Organschi, Principal & Partner, GOA Architecture

Transforming the global building sector from a significant source of environmental impact into a potentially powerful lever for climate stabilization and ecosystem restoration will require interdisciplinary collaboration, technical innovation, and trans-scalar action. Mass timber engineering and manufacturing is only a stage in system change.

Alan Organschi is a principal and partner at GOA, an architectural practice in New Haven, Connecticut recognized internationally for its integration of design, construction, and environmental research in work that spans in scale from global environmental analysis to demonstration projects in micro-housing. In April 2021, Mr. Organschi was appointed Director of the Innovation Labs at the Bauhaus Earth, a global interdisciplinary initiative in regenerative building research and experimentation based in Berlin, Germany. He continues as Senior Critic at the Yale School of Architecture where he has taught architectural design and building science for two decades where he now directs the Yale Building Lab, He has written and lectured extensively on the carbon storage benefits of biogenic material substitution and circular economic strategies in urban building. He is co-author of Carbon: A Field Manual For Building Designers and the scientific paper “Buildings as a Global Carbon Sink” published in Nature Sustainability in January 2020. Among many awards for the buildings he has designed in his practice, Mr. Organschi was honored in 2012 for his work with an Architecture Award by the American Academy of Arts and Letters.

5 to 6:30 PM | Welcome Reception hosted by the Portland Museum of Art

7 Congress Square, Portland — Shuttle service provided between USM and the Portland Museum of Art

FRIDAY, NOVEMBER 15

Conference events take place at the University of Southern Maine Portland campus unless otherwise noted.

8 to 9 AM | Women in Timber Breakfast
McGoldrick Center, 2nd floor

8 to 9 AM | Registration and Continental Breakfast
Abromson Center

9:05 AM | Introduction and Welcome
Hannaford Hall, Abromsom Center

9:20 AM | Keynote
Hannaford Hall

THE FOREST AND THE TREES: THE ARKANSAS TIMBER PROJECT

Peter MacKeith, Dean and Professor, Fay Jones School of Architecture and Design

What does it mean to be a school of architecture and design in a state that is 60% forest? How can a school address critical environmental and economic development issues simultaneously and aid a state in its overall growth? What is a forest-centered value ecology? The work of the Fay Jones School of Architecture and Design at the University of Arkansas over the last decade has been focused on these questions and more, with one evident outcome being the Anthony Timberlands Center for Design and Materials Innovation, a $43,000,000 research and development academic center for the state, scheduled for completion in May, 2025, designed by Pritzker Prize winning architects Grafton Architects, of Dublin, Ireland.

Peter MacKeith is dean and professor of architecture at the Fay Jones School of Architecture and Design at the University of Arkansas. Appointed in July 2014, and reappointed in 2019, he is the fifth dean of the school and a nationally recognized design educator and administrator.
During his leadership of the Fay Jones School, the school has grown significantly in student enrollment, retention and graduation outcomes, faculty appointments and accomplishments, curricular programs, diversity initiatives, community engagements and outreach centers, external funded research, new facilities, and financial resources. He is currently guiding the design and construction of the Anthony Timberlands Center for Design and Materials Innovation, a regional center for research and development of new wood products and new approaches in sustainable construction materials.

10:45 AM | Keynote
Hannaford Hall

FIRESIDE CHAT WITH HEATHER JOHNSON

Heather Johnson, Commissioner of Economic and Community Development, State of Maine

Heather Johnson is the Commissioner for the Department of Economic and Community Development. As the DECD Commissioner, she is charged with overseeing more than two dozen experts across several bureaus whose mission is to help communities and businesses prosper through a variety of programs that provide everything from targeted tax relief to community block grants to tourism marketing. Johnson has more than 25 years of experience in both the private and public realms. Previously, as Director of the ConnectME Authority, she was focused on expanding access to and increasing adoption of broadband connectivity in Maine. In the role, she was responsible for completing and executing a statewide action plan to expand broadband infrastructure; managing a grant program; mapping key assets; working with communities and businesses to help identify needs and opportunities; and supporting communities in their broadband planning needs and encouraging providers to engage in needed projects.

11:35 AM to 12:35 PM | Lunch
McGoldrick Center

1:30 PM | The Portland Museum of Art’s Bernard Osher Lecture
Hannaford Hall

FROM FOREST TO FRAME: THE JOURNEY OF MASS TIMBER

Hear from a panel of experts from the forest products, architecture, and construction supply chain as they discuss how increasing demand of mass timber and the potential of timber manufacturing in the Northeast could impact New England’s forest products and building economy.

Jason Brochu
Co-President, Pleasant River Lumber

Dana Doran
Executive Director, Professional Forest and Logging Contractors of Maine

Christopher Evans
President, Timberlab

Thomas Robinson
Founding Principal, LEVER Architecture

Jen Shakun
Bioeconomy Initiative Director at New England Forestry Foundation

Ben Stevens
Forest Manager, Penobscot Nation Forestry Program

Moderated by Matt Tonello
Project Executive, Consigli Construction Company, Inc.

3 PM |Conference Ends

George Frederick Morse (United States, 1834–1926), Delano Woods, 1856–1915, oil on canvas, 20 x 14 inches. Gift of Mrs. George F. Morse in memory of her husband, 1928.2