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  • October Photography Programming

    September 21, 2022

    With Presence: The Photography Collection of Judy Glickman Lauder opening on September 30, 2022, we’re...
  • ArtForum: Reviews — North Atlantic Triennial

    September 20, 2022

    By Jared Quinton September 2022 This review appears in ArtForum. Co-organized by the Bildmuseet in Umeå,...
  • Portland Press Herald Art review: One show celebrates Surrealism, another mud. Both are terrific

    September 19, 2022

    At the Portland Museum of Art and Ogunquit Museum of American Art, respectively, see ‘obstreperous’...
  • Portland Phoenix: Portland Museum of Art’s autumn of patronage

    September 14, 2022

    This article appears in the Portland Phoenix.  By Edgar Allen Beem • September 14, 2022 After devoting the...
  • An artwork a day keeps the doctors engaged

    September 13, 2022

    How visual art and narrative medicine are improving patient care and the mental health of...
  • The New Criterion: Heroes forever and ever

    September 9, 2022

    On “Flying Woman: The Paintings of Katherine Bradford” at the Portland Museum of Art, Maine. BY...
  • Hyperallergic: The Vulnerable Painterly Worlds of Katherine Bradford

    September 8, 2022

    This article appears in Hyperallergic. In Bradford’s color-infused world of superheroes and swimmers, viewers and...
  • Two Coats of Paint: Five Things: Katherine Bradford at Portland Museum of Art

    September 8, 2022

    Check out these visitors’ review of Flying Woman: The Paintings of Katherine Bradford on the...
  • Remembering Jim Houle

    September 8, 2022

    We are extremely saddened to share the news that longtime PMA Trustee James A. Houle...
  • Sarah Sockbeson: In and Beyond the Basket Woods

    September 7, 2022

    Penobscot artist Theresa Secord has described the forests that blanket the Land of the Dawn...