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The Workshop is a space for all visitors to engage with the PMA’s collection and special exhibitions in hands-on and interactive ways. Research shows that this kind of playful mindset leads to lasting learning for both adults and children. Here at the PMA, we believe that visitors of all ages deserve the chance to exercise their creative minds and explore art through active participation. Projects rotate four times a year, with each installation presenting a new creative challenge and a gallery full of incredible solutions created by visitors like you.
Our current iteration, open through April, is Cut, Copy, Paste. Inspired by the museum-wide reinstallation of the PMA collection in February 2017, Cut, Copy, Paste continues the theme of looking at old favorites in new ways. Over the course of three months, we’ll collectively copy and recopy three works from the PMA collection. Each painting has been digitally cut into squares. Visitors select a square to copy on a paper tile, which are then pasted on the wall, layered on top of each other. These copies are not perfect replicas—they’re artifacts of looking, thinking, and exploring. Each visitor’s tile introduces us to some facet of the work that we might never have seen if we were looking alone.
Come in to make your own paper tile to add to the project, or to just explore three paintings in a whole new way.
The Workshop is part of Your Museum, Reimagined, a multiyear project based on improving access to the PMA collection and weaving our audience’s voices, creations, and creativity into the fabric of our institution.
From October 20 through December 31, 2016, The Workshop took its cue from our book-themed special exhibitions, Of Whales in Paint: Rockwell Kent’s Moby-Dick, Unbound: Tim Rollins and K.O.S., and The Art Books of Henri Matisse. Over the course of two months, visitors illustrated hundreds of pages from Herman Melville’s Moby-Dick, almost completing the entire epic. Some visitors discovered and drew attention to the tome’s more odd phrases—“Give it up, Sub-Subs!”—while others remixed the 19th-century classic for their own purposes. Sweet, satirical, political, or adorable, each page was a unique, personal, and contemporary response to this global phenomenon.
At any time, visitors could explore bound volumes of their fellow visitors’ creations as well as the most recent 250 pages of the book stretched across the back wall of The Workshop. Behind the pages was an imaginative sea-inspired paper mural, created by members of the PMA’s 2016 Homer High School Fellows—Arikah Conant, Joliet Morrill, and Elle Spurr—using contributions created by visitors during PMA Family Days.
From July 15, 2016 through October 14, 2016, The Workshop featured an installation titled A Bird in the Hand. Birds have inspired artists working in all media with their colors, patterns, textures, and personalities. Inspired by Christopher Patch’s Migration—on view in the Modern Menagerie installation—visitors created a flock of flying bird sculptures. In the Workshop, however, they had only two materials: paper for shape and washi tape for pattern.
From April 15, 2016 through July 9, 2016, The Workshop featured an installation titled Inspired by the Everyday. It took its cue from artists throughout the museum who have transformed the objects and places they encounter into something extraordinary: Duncan Hewitt’s Forks or Porch Mattress in the summer 2016 exhibition Duncan Hewitt: Turning Strange, Christopher Patch’s Migration in the ongoing installation Modern Menagerie, Leo J. Dee’s elegant Small Drapery Study in the spring 2016 exhibition Masterworks on Paper: Highlights from the Portland Museum of Art. Visitors to The Workshop took an everyday occurrence—a coffee spill—and transformed it into a cat, a map, an abstract drawing, an interstellar scene, or whatever else their imagination inspired. Here are just a few of the thousands of creations that visitors shared:
From January 22, 2016 through April 10, 2016, The Workshop featured an installation titled Coloring the Landscape, in which visitors explored the power of color to establish a mood, define a place, direct your eye, and convey a message. We transformed one of our most iconic landscape paintings, Winslow Homer’s Weatherbeaten, into a coloring book page, and asked visitors to test out the implications of color for themselves. Adults and children alike created almost 2,000 versions of this painting. More than 200 of these were framed and hung on the back wall of the gallery so that visitors could see how the image morphed as it moved from sunny seaside to soft monochrome, fiery sunset to Pop-art pink and teal.
Installation materials are supported in part by Horizon Foundation, Inc. and Lila Hunt Davies, The Roy A. Hunt Foundation.