YAM is an annual exhibition showcasing the incredible talent in Maine’s art education programs.
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Looking at art can help us slow down, reflect, focus on the present, and connect. Using artwork to ground our mindfulness practice cultivates skills such as close looking and empathy, while also helping us to be more self-aware. During this digital session from March, PMA staff led a guided meditation centered on artwork in the PMA’s collection.
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The PMA is a proud member of the Maine Art Museum Trail and participant in this important series. Museums are at a moment of reckoning. Immense social, political, and financial pressure is testing the foundations of institutions, prompting examination of history, the need for change, and the process to acknowledge, repair, and heal.
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Looking at art can help us slow down, reflect, focus on the present, and connect. Using artwork to ground our mindfulness practice cultivates skills such as close looking and empathy, while also helping us to be more self-aware. During this digital session from February, PMA staff led a guided meditation centered on artwork in the PMA’s collection.
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Take a break in your day to slow down and enjoy the process of looking at art together. Join Christian Adame, Peggy L. Osher Director of Learning and Community Collaboration, for a virtual, guided, 30-minute session that took place in February.
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Take a break in your day to slow down and enjoy the process of looking at art together. Join Christian Adame, Peggy L. Osher Director of Learning and Community Collaboration, for a virtual, guided, 30-minute session that took place in January.
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This program designed specifically for educators features PMA staff in conversation with Fiona Hopper and Bridgid Neptune. Tune in to explore the exhibition Stories of Maine: An Incomplete History, learn about PMA Resources, and discuss how to utilize multiple perspectives in the classroom.
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We love hearing from our colleagues about their favorite artworks in the PMA Collection. Here, Ashleigh Hill shares why she loves the haunting image of Florence Leyland by James Abbott McNeill Whistler.
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Winslow Homer and Frederic Remington both depicted Indigenous people in their work in varying capacities. Two Maine experts discuss the layers of meaning and implications behind those depictions.
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Hear from all three curators at the PMA for a conversation about the new exhibition Freedom, A Fable. Together, they touch upon the mission and themes behind the show, and examine how the featured historic and contemporary artworks from the PMA collection inspire complex dialogues around race, representation, and American history.
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In this virtual conversation for the PMA, Barbara Haskell, long-time curator at the Whitney Museum of American Art, shares her latest exhibition: Vida Americana: Mexican Muralists Remake American Art, 1925–1945,
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Our friends at New England Distilling have created a craft cocktail to toast to Mythmakers: The Art of Winslow Homer and Frederic Remington and celebrate Thanksgiving, no matter what the holiday looks like for you this year.
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The Portland Museum of Art has received a grant for $10,000 from the Avangrid Foundation to support Art for All, the PMA’s guiding principle and commitment to Diversity, Equity, Accessibility, and Inclusion (DEAI).The grant marks the second consecutive year that the Avangrid Foundation has provided support to the PMA.
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The tools of the acclaimed sculptor Gaston Lachaise were beautifully installed at the Portland Museum of Art through a generous loan from the Lachaise Foundation as part of the multiyear Your Museum, Reimagined accessibility and collection reinstallation project, which opened to the public in 2017.
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In this virtual program from October, Monson Arts' senior advisor Stuart Kestenbaum and Portland-based artists Tessa O'Brien and Celeste Roberge (both former resident artists in the program) discuss the vision for and the impact of this new arts center.
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In the spring of 2018, art conservator Nina Roth-Wells came to the PMA to review a painting that had just come into the collection. Observing the painting under UV light revealed unusually large patches of darkness, indicating that something had been added on top of the varnish.
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The $15,000 grant from the Maine Arts Commission is unrestricted, which means that the museum may allocate it where it will make the most impact. Unrestricted grants and gifts are great ways to ensure that the PMA has the resources it needs to sustainably grow for years to come, and we’re grateful to the Maine Arts Commission for realizing the impact of their support.
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Did Winslow Homer and Frederic Remington ever meet in person? What’s the connection between the two artists’ work? Our upcoming exhibition, Mythmakers: The Art of Winslow Homer and Frederic Remington, brings together the best-known artworks of two great American artists and explores the mythologies both artists perpetuated in their work. Read this article to learn more about why Winslow Homer and Frederic Remington are an unlikely pair, even if they never met in person.
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