BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Portland Museum of Art - ECPv6.18.3.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Portland Museum of Art
X-ORIGINAL-URL:https://www.portlandmuseum.org
X-WR-CALDESC:Events for Portland Museum of Art
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260920T120000
DTEND;TZID=America/New_York:20260920T140000
DTSTAMP:20260813T181916Z
CREATED:20260813T181530Z
LAST-MODIFIED:20260813T181916Z
UID:10001403-1789905600-1789912800@www.portlandmuseum.org
SUMMARY:PMA Films: The Marching Band
DESCRIPTION:Directed by Emmanuel Courcol. 103 minutes. Not Rated. In French with English subtitles. \nA world-famous orchestra conductor and a blue-collar cafeteria worker discover they are brothers who were separated at birth. Despite their differences\, they develop a bond through their mutual love of music. A Cannes premiere and Audience Award Winner at Rendez-Vous with French Cinema.
URL:https://www.portlandmuseum.org/event/pma-films-the-marching-band-3/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/08/marchingbandposter-GBlIA6.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260920T150000
DTEND;TZID=America/New_York:20260920T165500
DTSTAMP:20260813T182700Z
CREATED:20260813T182424Z
LAST-MODIFIED:20260813T182700Z
UID:10001409-1789916400-1789923300@www.portlandmuseum.org
SUMMARY:PMA Films: How to Divorce During the War
DESCRIPTION:Directed by Andrius Blaževičius. 108 minutes. Not Rated. In Lithuanian\, English\, Ukranian\, and Russian with English subtitles. \nWINNER BEST DIRECTOR WORLD CINEMA DRAMATIC — 2026 SUNDANCE FILM FESTIVAL \nVilnius\, 2022. High-flying executive Marija (Zygimante Elena Jakstaite) chooses the worst possible moment to inform her husband Vytas (Marius Repsys) she wants a divorce: just one day before Russia’s invasion of Ukraine. Suddenly the couple must navigate the process of separation as it collides with a refugee and mid-life crisis. A struggling film director\, Vytas is put into a tight spot by having to move in with his Russophile parents\, while Marija struggles to find her footing as the war affects both her business and home life. As the reason for the divorce gradually becomes clear\, the dissolution of Marija and Vytas’ marriage creates conflicts and opportunities for both of them\, while also affecting their ever-observant young daughter Dovile. Packed with surprises along with much heartache and soul searching\, Andrius Blaževičius’ nuanced and timely family drama skillfully depicts the fallout of a marriage against the backdrop of extraordinary events with humor and compassion.
URL:https://www.portlandmuseum.org/event/pma-films-how-to-divorce-during-the-war-3/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/08/HowtoDivorce_ZG_2025x3000-scaled-2dz49f.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260922T190000
DTEND;TZID=America/New_York:20260922T210000
DTSTAMP:20260729T200619Z
CREATED:20260714T192330Z
LAST-MODIFIED:20260729T200619Z
UID:10001377-1790103600-1790110800@www.portlandmuseum.org
SUMMARY:[At Congress Square Park] PMA Films: "Eve Biddle Selects": Who Framed Roger Rabbit (1988) (Free Screening)
DESCRIPTION:Directed by Robert Zemeckis. 104 minutes. Rated PG. In English. \nScreening for free in Congress Square Park! \nScreens as part of “Eve Biddle Selects: Beautiful People Doing Impossible Things\,” a companion to the exhibition “Eve Biddle: Wonderlands.” \nDirector Robert Zemeckis’ feature follow-up to the original Back to the Future (1985)\, Who Framed Roger Rabbit continued the filmmaker’s startling blend of humor\, imagination\, invention and technical innovation to bring together a world where human beings and animated cartoon characters interacted in a comical romantic mystery adventure set in a Hollywood—and Toontown—of yore. \nBob Hoskins stars as Eddie Valiant\, a down-on-his-luck gumshoe with a painful past and a dislike of the lunacy of toons—thrust against his better instincts into a whodunnit with a harebrained hare\, Roger Rabbit\, a cuckolded cuckoo convicted of murdering gag magnate Marvin Acme. Eddie and Roger pair up\, much to Eddie’s chagrin\, to find Acme’s real murderer\, only to uncover a cover-up that could bring ruination (all in the name of progress) to both Tinsletown and Toontown forever! \nFeaturing lively performances by Hoskins\, Christopher Lloyd (Back to the Future) and Joanna Cassidy\, along with a gallery of toons both new and beloved—including cameos by no-less animated aristocracy than Mickey Mouse\, Bugs Bunny\, Donald Duck\, Daffy Duck and many\, many more from the Golden Age of animation\, Who Framed Roger Rabbit is the kind of film that must be seen to be believed—and beloved. \nBeautiful People Doing Impossible Things \nI watch movies to be transported to another world. Because I play with scale and color in my art practice\, I think a lot about how my images are kind of impossible. No human has a hand 24 inches long. No landscape is cyan blue. These images exist in a kind of Wonderland of my own imagining — much like the fantastical plots of the movies in this series. \nEach feature is paired with a short film by my partner\, Joshua Frankel — another beautiful person doing impossible things. \n—Eve Biddle \nWho Framed Roger Rabbit (1988\, 104 minutes) paired with  \nJoshua Frankel’s Plan of the City (2011\, 13 minutes) \nFrankel’s acclaimed “city symphony” is paired with one of greatest urban planning films of all time… Who Framed Roger Rabbit. \nRobert Zemeckis’s classic is most famous for combining animation with live action. But as the mystery at heart of this noir unravels\, the heroes find themselves in a fantastical community defined by social segregation that feels all too familiar\, and discover a nefarious plot ripped from history — and which continues to define how we relate to our built environment today. \nFrankel’s Plan of the City is also a collage of animation with live action\, executed with incredibly precise planning. It is an exhilarating dream that inverts what we know about New York City: skyscrapers rooted in bedrock lift off into the stratosphere. Through joyful fantasy the City’s ultimate fears are explored: it is destroyed\, re-created\, and finally revealed to be less unique than we thought. \nThe short film is an animated impossible architectural proposal\, in the spirit of fantastical visionaries like Claes Oldenburg\, Rem Koolhaas and Superstudio. \nPlan of the City features music by Judd Greenstein\, performed by NOW Ensemble\, and was called “One of the best matches of visuals to music I have seen” by critic Ann Midgette at the Washington Post and “Amazing” by NPR. 
URL:https://www.portlandmuseum.org/event/at-congress-square-park-pma-films-eve-biddle-selects-who-framed-roger-rabbit-1988-free-screening/
LOCATION:ME
CATEGORIES:Films
ATTACH;FMTTYPE=image/jpeg:https://www.portlandmuseum.org/wp-content/uploads/2026/07/StanVince_RogerRabbit_Lg-2.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260923T120000
DTEND;TZID=America/New_York:20260923T130000
DTSTAMP:20260914T232433Z
CREATED:20260909T173740Z
LAST-MODIFIED:20260914T232433Z
UID:10001440-1790164800-1790168400@www.portlandmuseum.org
SUMMARY:Curator tour of Winslow Homer: Painter\, Etcher
DESCRIPTION:Join Ramey Mize\, the curator of Winslow Homer: Painter\, Etcher\, for a special tour of the exhibition\, where she will share insights into the artist’s breathtaking\, lifelong printmaking practice and its intertwinement with some of his most iconic paintings. A rare look at the master painter’s brief but brilliant turn to etching in the 1880s. Mize will guide through etchings displayed alongside related paintings\, drawings\, and proofs\, revealing the intaglio process\, theme and compositional choices behind these rarely exhibited works. Registration is required. \n\n\n\nFree for Members$38 Adult non-member ticket (includes Museum admission entry\, Winslow Homer: Painter\, Etcher ticket\, and curator tour)  \n\n\n\n$36 Senior ticket — includes Museum admission entry\, Winslow Homer: Painter\, Etcher ticket\, and curator tour)  \n\n\n\n$26 student 22+ non-member ticket (includes Museum admission entry\, Winslow Homer: Painter\, Etcher ticket\, and curator tour) \n\n\n\n21 and under free.
URL:https://www.portlandmuseum.org/event/curator-tour-of-winslow-homer-painter-etcher/
LOCATION:ME
CATEGORIES:Tour
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/09/E1924-4-15_Philly-scaled-RTmZGK.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260923T140000
DTEND;TZID=America/New_York:20260923T150000
DTSTAMP:20260914T232448Z
CREATED:20260909T173741Z
LAST-MODIFIED:20260914T232448Z
UID:10001441-1790172000-1790175600@www.portlandmuseum.org
SUMMARY:Curator tour of Winslow Homer: Painter\, Etcher
DESCRIPTION:Join Ramey Mize\, the curator of Winslow Homer: Painter\, Etcher\, for a special tour of the exhibition\, where she will share insights into the artist’s breathtaking\, lifelong printmaking practice and its intertwinement with some of his most iconic paintings. A rare look at the master painter’s brief but brilliant turn to etching in the 1880s. Mize will guide through etchings displayed alongside related paintings\, drawings\, and proofs\, revealing the intaglio process\, theme and compositional choices behind these rarely exhibited works. Registration is required. \n\n\n\nFree for Members$38 Adult non-member ticket (includes Museum admission entry\, Winslow Homer: Painter\, Etcher ticket\, and curator tour)  \n\n\n\n$36 Senior ticket — includes Museum admission entry\, Winslow Homer: Painter\, Etcher ticket\, and curator tour)  \n\n\n\n$26 student 22+ non-member ticket (includes Museum admission entry\, Winslow Homer: Painter\, Etcher ticket\, and curator tour) \n\n\n\n21 and under free.
URL:https://www.portlandmuseum.org/event/curator-tour-of-winslow-homer-painter-etcher-2/
LOCATION:ME
CATEGORIES:Tour
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/09/E1924-4-15_Philly-scaled-RTmZGK.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260923T160000
DTEND;TZID=America/New_York:20260923T175500
DTSTAMP:20260813T182618Z
CREATED:20260813T182425Z
LAST-MODIFIED:20260813T182618Z
UID:10001410-1790179200-1790186100@www.portlandmuseum.org
SUMMARY:PMA Films: How to Divorce During the War
DESCRIPTION:Directed by Andrius Blaževičius. 108 minutes. Not Rated. In Lithuanian\, English\, Ukranian\, and Russian with English subtitles. \nWINNER BEST DIRECTOR WORLD CINEMA DRAMATIC — 2026 SUNDANCE FILM FESTIVAL \nVilnius\, 2022. High-flying executive Marija (Zygimante Elena Jakstaite) chooses the worst possible moment to inform her husband Vytas (Marius Repsys) she wants a divorce: just one day before Russia’s invasion of Ukraine. Suddenly the couple must navigate the process of separation as it collides with a refugee and mid-life crisis. A struggling film director\, Vytas is put into a tight spot by having to move in with his Russophile parents\, while Marija struggles to find her footing as the war affects both her business and home life. As the reason for the divorce gradually becomes clear\, the dissolution of Marija and Vytas’ marriage creates conflicts and opportunities for both of them\, while also affecting their ever-observant young daughter Dovile. Packed with surprises along with much heartache and soul searching\, Andrius Blaževičius’ nuanced and timely family drama skillfully depicts the fallout of a marriage against the backdrop of extraordinary events with humor and compassion.
URL:https://www.portlandmuseum.org/event/pma-films-how-to-divorce-during-the-war-4/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/08/HowtoDivorce_ZG_2025x3000-scaled-u5gPcS.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260924T123000
DTEND;TZID=America/New_York:20260924T143000
DTSTAMP:20260813T181833Z
CREATED:20260813T181532Z
LAST-MODIFIED:20260813T181833Z
UID:10001404-1790253000-1790260200@www.portlandmuseum.org
SUMMARY:PMA Films: The Marching Band
DESCRIPTION:Directed by Emmanuel Courcol. 103 minutes. Not Rated. In French with English subtitles. \nA world-famous orchestra conductor and a blue-collar cafeteria worker discover they are brothers who were separated at birth. Despite their differences\, they develop a bond through their mutual love of music. A Cannes premiere and Audience Award Winner at Rendez-Vous with French Cinema.
URL:https://www.portlandmuseum.org/event/pma-films-the-marching-band-4/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/08/marchingbandposter-GBlIA6.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260925T120000
DTEND;TZID=America/New_York:20260925T123000
DTSTAMP:20260921T150859Z
CREATED:20260921T150857Z
LAST-MODIFIED:20260921T150859Z
UID:10001494-1790337600-1790339400@www.portlandmuseum.org
SUMMARY:Noontime Talk: Water and Art
DESCRIPTION:Dive into the world of water present in artworks throughout PMA galleries. Explore diverse works of art through the cultural\, environmental\, and symbolic relationships between people and water. With Kristin Schardt\, Museum Educator.
URL:https://www.portlandmuseum.org/event/noontime-talk-water-and-art/
LOCATION:ME
ATTACH;FMTTYPE=image/jpeg:https://www.portlandmuseum.org/wp-content/uploads/2026/08/Weatherbeaten-1894-by-Winslow-Homer-1988.55.1.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260925T140000
DTEND;TZID=America/New_York:20260925T154500
DTSTAMP:20260827T162916Z
CREATED:20260813T183350Z
LAST-MODIFIED:20260827T162916Z
UID:10001411-1790344800-1790351100@www.portlandmuseum.org
SUMMARY:PMA Films: The History of Concrete
DESCRIPTION:Directed by John Wilson. 101 minutes. Not Rated. In English. \nFollowing the finale of his acclaimed HBO series “How To with John Wilson”\, NYC documentarian John Wilson looks to the bedrock of his beloved New York City for inspiration and structure. Concrete\, the world’s most widely used building material\, appears as an ever-present life force\, and John sets out to make the definitive documentary on the matter. After attending a workshop on how to write and sell a Hallmark movie\, he decides to use the industry-approved Hallmark formula to tell this seemingly drab story and increase his movie’s appeal. But his foundation soon begins to crumble—literally and figuratively—as he struggles to balance artistic freedom with the realities of the modern film industry.
URL:https://www.portlandmuseum.org/event/pma-films-the-history-of-concrete/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/jpeg:https://www.portlandmuseum.org/wp-content/uploads/2026/08/HistoryofConcrete-2-scaled.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260925T170000
DTEND;TZID=America/New_York:20260925T190000
DTSTAMP:20260825T202100Z
CREATED:20260821T182202Z
LAST-MODIFIED:20260825T202100Z
UID:10001420-1790355600-1790362800@www.portlandmuseum.org
SUMMARY:"Freaky Fridaze" Live Broadcast with WMPG
DESCRIPTION:A rotating cast of WMPG DJ’s broadcast Freaky Fridaze live from the PMA from 5:00 p.m. — 7 p.m.\n\n\n\nThis happy hour series takes your favorite community DJs out of the studio and into the wild\, spinning records and soaking up the vibes with listeners and music lovers. Join us for a rotation of DJs each Free Friday night this September. Bring a blanket and settle into the Shaw Family Sculpture Park for Freaky Fridaze. \n\n\n\nDJs for September:9/4 — Kenny Mac & Annella — Northern Soul Night9/11 — 2h1 & Celandine9/18 — DJ Jon & Teal Child9/25 — NoKal\, <3\, & Miss Match \n\n\n\nAbout WMPG: WMPG is a community radio station broadcasting from Portland\, Maine. It is located on Bedford Street at the University of Southern Maine Portland Campus. It is affiliated with the college\, and a mix of USM students and volunteers from the greater Portland community produce all the music and local public affairs programs. It broadcasts 4.5 kilowatts on 90.9 (licensed to Gorham\, where the main campus of USM is located) and can be heard as far north as Augusta\, Maine and west into New Hampshire. WMPG broadcasts online 24/7 and has a number of podcasts and archived programs.
URL:https://www.portlandmuseum.org/event/freaky-fridaze-live-broadcast-with-wmpg-4/
LOCATION:ME
CATEGORIES:Freaky Fridaze,Free Friday
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/08/freaky-fridaze-thumbnail_01-HBubfw.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260925T180000
DTEND;TZID=America/New_York:20260925T194500
DTSTAMP:20260923T201615Z
CREATED:20260909T192909Z
LAST-MODIFIED:20260923T201615Z
UID:10001446-1790359200-1790365500@www.portlandmuseum.org
SUMMARY:PMA Films: The History of Concrete
DESCRIPTION:Directed by John Wilson. 101 minutes. Not Rated. In English. \n\n\n\nFollowing the finale of his acclaimed HBO series “How To with John Wilson”\, NYC documentarian John Wilson looks to the bedrock of his beloved New York City for inspiration and structure. Concrete\, the world’s most widely used building material\, appears as an ever-present life force\, and John sets out to make the definitive documentary on the matter. After attending a workshop on how to write and sell a Hallmark movie\, he decides to use the industry-approved Hallmark formula to tell this seemingly drab story and increase his movie’s appeal. But his foundation soon begins to crumble—literally and figuratively—as he struggles to balance artistic freedom with the realities of the modern film industry.
URL:https://www.portlandmuseum.org/event/pma-films-the-history-of-concrete-5/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/09/HistoryofConcrete-2-scaled-bxnFjj.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260926T120000
DTEND;TZID=America/New_York:20260926T144500
DTSTAMP:20260813T184116Z
CREATED:20260813T183906Z
LAST-MODIFIED:20260813T184116Z
UID:10001415-1790424000-1790433900@www.portlandmuseum.org
SUMMARY:PMA Films: "A Few Small Odysseys": Stalker (1979)
DESCRIPTION:Directed by Andrei Tarkovsky. 161 minutes. Not Rated. In Russian with English subtitles. \nOne of the most immersive and rarefied experiences in the history of cinema\, Andrei Tarkovsky’s Stalker embarks on a metaphysical journey through an enigmatic post-apocalyptic landscape. A hired guide—the “Stalker” of the title—leads a writer and a scientist into the heart of the Zone\, the restricted site of a long-ago disaster\, where the three men eventually zero in on the Room\, a place rumored to fulfill one’s most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky\, and making what would be his final Soviet feature\, Tarkovsky created a challenging and visually stunning work\, his painstaking attention to material detail and sense of organic atmosphere further enriched by this vivid new digital restoration. At once a religious allegory\, a reflection of contemporary political anxieties\, and a meditation on film itself—among many other interpretations—Stalker envelops the viewer by opening up a multitude of possible meanings.
URL:https://www.portlandmuseum.org/event/pma-films-a-few-small-odysseys-stalker-1979/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/08/STALKER_poster_original-scaled-23Aaeo.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260926T153000
DTEND;TZID=America/New_York:20260926T171500
DTSTAMP:20260827T162836Z
CREATED:20260813T183352Z
LAST-MODIFIED:20260827T162836Z
UID:10001412-1790436600-1790442900@www.portlandmuseum.org
SUMMARY:PMA Films: The History of Concrete
DESCRIPTION:Directed by John Wilson. 101 minutes. Not Rated. In English. \nFollowing the finale of his acclaimed HBO series “How To with John Wilson”\, NYC documentarian John Wilson looks to the bedrock of his beloved New York City for inspiration and structure. Concrete\, the world’s most widely used building material\, appears as an ever-present life force\, and John sets out to make the definitive documentary on the matter. After attending a workshop on how to write and sell a Hallmark movie\, he decides to use the industry-approved Hallmark formula to tell this seemingly drab story and increase his movie’s appeal. But his foundation soon begins to crumble—literally and figuratively—as he struggles to balance artistic freedom with the realities of the modern film industry.
URL:https://www.portlandmuseum.org/event/pma-films-the-history-of-concrete-2/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/jpeg:https://www.portlandmuseum.org/wp-content/uploads/2026/08/HistoryofConcrete-2-scaled.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260927T120000
DTEND;TZID=America/New_York:20260927T134500
DTSTAMP:20260827T162749Z
CREATED:20260813T183353Z
LAST-MODIFIED:20260827T162749Z
UID:10001413-1790510400-1790516700@www.portlandmuseum.org
SUMMARY:PMA Films: The History of Concrete
DESCRIPTION:Directed by John Wilson. 101 minutes. Not Rated. In English. \nFollowing the finale of his acclaimed HBO series “How To with John Wilson”\, NYC documentarian John Wilson looks to the bedrock of his beloved New York City for inspiration and structure. Concrete\, the world’s most widely used building material\, appears as an ever-present life force\, and John sets out to make the definitive documentary on the matter. After attending a workshop on how to write and sell a Hallmark movie\, he decides to use the industry-approved Hallmark formula to tell this seemingly drab story and increase his movie’s appeal. But his foundation soon begins to crumble—literally and figuratively—as he struggles to balance artistic freedom with the realities of the modern film industry.
URL:https://www.portlandmuseum.org/event/pma-films-the-history-of-concrete-3/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/jpeg:https://www.portlandmuseum.org/wp-content/uploads/2026/08/HistoryofConcrete-2-scaled.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260927T150000
DTEND;TZID=America/New_York:20260927T174500
DTSTAMP:20260813T184023Z
CREATED:20260813T183907Z
LAST-MODIFIED:20260813T184023Z
UID:10001416-1790521200-1790531100@www.portlandmuseum.org
SUMMARY:PMA Films: "A Few Small Odysseys": Stalker (1979)
DESCRIPTION:Directed by Andrei Tarkovsky. 161 minutes. Not Rated. In Russian with English subtitles. \nOne of the most immersive and rarefied experiences in the history of cinema\, Andrei Tarkovsky’s Stalker embarks on a metaphysical journey through an enigmatic post-apocalyptic landscape. A hired guide—the “Stalker” of the title—leads a writer and a scientist into the heart of the Zone\, the restricted site of a long-ago disaster\, where the three men eventually zero in on the Room\, a place rumored to fulfill one’s most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky\, and making what would be his final Soviet feature\, Tarkovsky created a challenging and visually stunning work\, his painstaking attention to material detail and sense of organic atmosphere further enriched by this vivid new digital restoration. At once a religious allegory\, a reflection of contemporary political anxieties\, and a meditation on film itself—among many other interpretations—Stalker envelops the viewer by opening up a multitude of possible meanings.
URL:https://www.portlandmuseum.org/event/pma-films-a-few-small-odysseys-stalker-1979-2/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/08/STALKER_poster_original-scaled-JYR23x.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260929T173000
DTEND;TZID=America/New_York:20260929T183000
DTSTAMP:20260825T190127Z
CREATED:20260622T192957Z
LAST-MODIFIED:20260825T190127Z
UID:10001326-1790703000-1790706600@www.portlandmuseum.org
SUMMARY:Coastal Imaginings: Artist Panel Discussion with Patricia Brace\, Ethan Murrow\, and Joshua Reiman
DESCRIPTION:Joshua Reiman\, Vanished into Plein Air\, 2015 Super 8 film still 9:09 min 3‑Channel Super 8 to HD video & Super 16mm video\, with voiceover by Lowry Burgess. \n\n\n\n\n\n\n\nIn Search of the Miraculous — Jumping Ship\, Dahlbreen Glacier\, 2025 performance documentation\, archival inkjet print\, 16” x 24” x 2”\, mounted aluminum inset frame photo credit: Jordi Plana Morales \n\n\n\n\n\n\n\nEthan Murrow \, Apicultural\, 2025 graphite on paper 62“x62” \n\n\n\n\n\nJoin three contemporary New England artists for a conversation exploring imagined marinescapes in dialogue with the work of Winslow Homer. Patricia Brace\, Ethan Murrow\, and Joshua Reiman each use the evocative power of place-based imagery to explore how landscapes can conjure memory\, emotion\, and a sense of human presence. Together\, they’ll discuss how imagined landscapes create shared experiences that linger somewhere between dream and reality. \nPatricia Brace will discuss her work A Sun Without A Sphere. This work signals catastrophe and boundlessness: the sun uncontained\, radiating without orbit\, and the ceaseless Arctic light. Created in the Norwegian archipelago of Svalbard\, where warming occurs five times faster than the global average\, the work confronts the climate crisis through performance\, kinship\, and fragile endurance. \nEthan Murrow will speak about his drawing\, painting\, and lithography works that seem to let you in on a story happening somewhere at the edge of the world. His characters inhabit fantastical landscapes doing familiar yet absurd actions. His detailed drawings speak to the mysterious realm between human action and vast pastoral landscapes. \nJoshua Reiman will share his short film Vanished into Plein Air which provides a romantic view of a marinescape painter who ventures outside to make a painting by the ocean\, and realizes the nature is just not good enough without people to inhabit his canvases. Shot in Prout’s Neck\, Maine and inspired by Winslow Homer’s last painting Driftwood\, the film offers us a glimpse into an artistic process\, where one’s emotions meet pigment and oil beside the ocean and rocky shore. \nAbout the Artists: \nPatricia Brace’s practice is located in rural Maine. Overall\, her work is concerned with the body as it relates to place and care\, examining how we cohabitate with nature during a rapidly unfolding climate situation. Brace has attended residencies including The Arctic Circle (2025 and returning in 2027)\, The Studios at MASS MoCA\, the Alumni Residency at Maine College of Art & Design\, and the Vermont Studio Center. She has exhibited nationally at venues such as PS122 Gallery (New York\, NY)\, Gary Snyder Project Space (New York\, NY)\, SOHO 20 (New York\, NY)\, Ortega y Gasset Projects (Brooklyn\, NY)\, Smack Mellon (Brooklyn\, NY)\, and Trestle Gallery (Brooklyn\, NY)\, as well as regionally at 82 Parris (Portland\, ME)\, the Center for Maine Contemporary Art (Rockland\, ME)\, and the Institute of Contemporary Art at Maine College of Art & Design (Portland\, ME). Brace’s awards include the Kindling Fund Grant\, Hildreth Professional Development Grants from MECA&D\, and the Women Invigorating the Curriculum and Cultivating Diversity Committee Grant at the University of Maine\, Augusta. She is co-founder of the Performance Art Initiative\, Sine Gallery\, and GROUNDWORK retreat\, and her work is held in the permanent collections of the Portland Museum of Art and Memorial Sloan Kettering Hospital in New York City. Brace recently taught at Maine College of Art & Design as a Visiting Assistant Professor in Painting\, Sculpture\, Foundation\, and MFA in Studio Art and is currently enrolled in the PhD program at the University of Maine\, focusing on the intersection of climate science and interdisciplinary art.  \nEthan Murrow is an artist and Professor of the Practice in Drawing and Painting at the School of the Museum of Fine Arts at Tufts University in Boston\, Massachusetts. His multidisciplinary practice—which spans drawings\, paintings\, murals\, sculptures\, and publications—delves into narrative explorations of landscape\, environment\, agriculture\, and the subjective nature of history. Ethan is represented by Galerie Les Filles du Calvaire in Paris\, Obsolete Gallery in Culver City\, California\, and Winston Wächter Fine Art in New York City and Seattle. His work is included in numerous public\, private\, and corporate collections and has been widely reviewed and published internationally. Notable recent commissions include projects for the Louis Roederer Foundation in France\, Expedia\, Meta\, The Broad Institute\, D+S Editions France and the city of Boston.  Ethan’s solo museum exhibitions have been presented at the Cahoon Museum of American Art\, the Institute of Contemporary Art Boston\, the Currier Museum of Art\, the Museum of Contemporary Art Jacksonville\, and the Clay Center in West Virginia. Among his accolades are the Stein Prize with MOCA Jacksonville\, a monograph published by Hatje Cantz\, and an official selection for the New York Film Festival.   \nJoshua Reiman’s work is focused on spatial practice including sculpture\, film\, video\, assemblage\, and photography. His work has been exhibited in galleries\, museums\, and film festivals across North America\, Europe\, North and West Africa\, Japan\, and Australia. Reiman is an Associate Professor of Sculpture at The Maine College of Art & Design\, where he is also the Gary Ambrose Chair of the Sculpture Program. Joshua has an MFA in Sculpture from Syracuse University and a BFA in Sculpture from the Kansas City Art Institute.  Reiman’s exhibitions include Bildmuseet\, Umea Sweden\, The Reykjavik Art Museum\, Iceland\, The Albright-Knox Art Gallery in Buffalo\, NY\, The Portland Museum of Art\, NAPOLEON Philadelphia\, Hallwalls Buffalo\, NY\, NKV Wiesbaden\, Germany\, and Arcane Afrika Art COP22. Reiman wrote Strange Devices\, a book of interviews with contemporary sculptors and essays on the future of sculpture. He is also a writer for Sculpture Magazine. Joshua and his wife Addy and son Ole currently live in an 1880s brick house in Portland\, ME with their dog Loki. Joshua was once a Rubik’s Cube champion and is now an eternal dreamer. 
URL:https://www.portlandmuseum.org/event/coastal-imaginings-artist-panel-discussion-with-patricia-brace-ethan-murrow-and-joshua-reiman/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Lecture,Panel Discussion
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/06/Murrow_Apicultural_2025_graphite-on-paper_62x62-scaled-q0Zc4D.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261001T110000
DTEND;TZID=America/New_York:20261001T123000
DTSTAMP:20260825T135409Z
CREATED:20260824T150355Z
LAST-MODIFIED:20260825T135409Z
UID:10001424-1790852400-1790857800@www.portlandmuseum.org
SUMMARY:PMA Book Club
DESCRIPTION:OPEN TO MEMBERS ONLY \n\n\n\nLove art and books?\n\n\n\nJoin the PMA Book Club—open to PMA members and meeting quarterly for in-person conversations that explore the connections between literature\, creativity\, and culture. No prior art knowledge needed. This October\, Julia Keiser will lead our book club conversation surrounding “All the Beauty in the World: The Metropolitan Museum of Art and Me” here at the PMA.Space is limited\, please register online.Purchase a copy at the PMA Store\, Members get 10% Off!If you have questions about book club and membership at the PMA you are welcome to reach out to our Annual Gifts Officer\, Lily Spearsmith\, at  lspearsmith@portlandmuseum.org or (207) 318‑2055.We look forward to discussing All the Beauty in the World with you!Patrick BringleyAbout the AuthorPatrick Bringley is the New York Times bestselling author of All the Beauty in the World\, a memoir about his decade working as a guard at the Metropolitan Museum of Art. Named one of the best books of the year by the New York Public Library\, the Financial Times\, Audible\, the Sunday Times (London)\, and others\, the book has resonated globally\, with translated editions from Brazil to Ukraine to South Korea\, where it became a number one national bestseller. In the spring of 2025\, Patrick starred in an Off-Broadway production of All the Beauty in the World\, a solo play he adapted from his book directed by Dominic Dromgoole\, formerly the artistic director of the Globe Theatre in London. He has been featured in the New Yorker\, the New York Times\, NPR\, the BBC\, CBS\, ABC\, Fox\, and many other outlets\, and has lectured at major cultural institutions worldwide\, including the National Gallery of Art\, the Museum of Fine Arts Boston\, the University of Virginia\, and venues in Dubai\, Dublin\, Oxford\, and Seoul. He lives with his wife and children in Sunset Park\, Brooklyn. All the Beauty in the World is his first book.”
URL:https://www.portlandmuseum.org/event/pma-book-club-2/
LOCATION:ME
ATTACH;FMTTYPE=image/jpeg:https://www.portlandmuseum.org/wp-content/uploads/2026/08/bringly.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261001T150000
DTEND;TZID=America/New_York:20261001T164500
DTSTAMP:20260930T202654Z
CREATED:20260813T183354Z
LAST-MODIFIED:20260930T202654Z
UID:10001414-1790866800-1790873100@www.portlandmuseum.org
SUMMARY:PMA Films: The History of Concrete
DESCRIPTION:Directed by John Wilson. 101 minutes (followed by pre-recorded discussion). Not Rated. In English. \nThis screening will be followed by a pre-recorded\, 15-minute discussion between director John Wilson and Josh Safdie. \nFollowing the finale of his acclaimed HBO series “How To with John Wilson”\, NYC documentarian John Wilson looks to the bedrock of his beloved New York City for inspiration and structure. Concrete\, the world’s most widely used building material\, appears as an ever-present life force\, and John sets out to make the definitive documentary on the matter. After attending a workshop on how to write and sell a Hallmark movie\, he decides to use the industry-approved Hallmark formula to tell this seemingly drab story and increase his movie’s appeal. But his foundation soon begins to crumble—literally and figuratively—as he struggles to balance artistic freedom with the realities of the modern film industry.
URL:https://www.portlandmuseum.org/event/pma-films-the-history-of-concrete-4/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/jpeg:https://www.portlandmuseum.org/wp-content/uploads/2026/08/HistoryofConcrete-1-scaled.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261002T100000
DTEND;TZID=America/New_York:20261002T200000
DTSTAMP:20260930T192957Z
CREATED:20260929T182553Z
LAST-MODIFIED:20260930T192957Z
UID:10001529-1790935200-1790971200@www.portlandmuseum.org
SUMMARY:PMA | AMP Grand Opening
DESCRIPTION:The free and publicly accessible pavilion will host rotating installations\, performances\, workshops\, PMA Films screenings\, and additional programming designed to open up Free Street\, the Arts District\, and Congress Square.  \n\n\n\nFREE AND OPEN TO ALL! \n\n\n\n9 a.m.–11a.m.: Caroline’s Cup serving coffee \n\n\n\n11a.m.–3 p.m.: Food Truck TBD \n\n\n\n12 p.m.–6 p.m.: Drop-In art Making: Make and take a monotype tree print \n\n\n\nDJ Jams FRREVER spins tracks plus table-top activities throughout the day. \n\n\n\nLearn more about PMA | AMP
URL:https://www.portlandmuseum.org/event/pma-amp-grand-opening/
LOCATION:ME
ATTACH;FMTTYPE=image/jpeg:https://www.portlandmuseum.org/wp-content/uploads/2026/09/20260925-_DSF3198-Large.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261002T120000
DTEND;TZID=America/New_York:20261002T130000
DTSTAMP:20260909T165042Z
CREATED:20260909T163000Z
LAST-MODIFIED:20260909T165042Z
UID:10001439-1790942400-1790946000@www.portlandmuseum.org
SUMMARY:Noontime Curator Talk: European Landscapes
DESCRIPTION:Join us in the galleries for a conversation about how artists at the end of the nineteenth century turned to fields\, villages\, and coastlines to explore the beauty of the natural world. \nWith Andrew Eschelbacher\, Deputy Director and Head of Art and Exhibitions
URL:https://www.portlandmuseum.org/event/noontime-curator-talk-european-landscapes-2/
LOCATION:ME
CATEGORIES:Noontime Talk
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/08/Monet_29.1x24-rG0HTr-ME9TcU.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261002T140000
DTEND;TZID=America/New_York:20261002T160500
DTSTAMP:20260923T202210Z
CREATED:20260923T164637Z
LAST-MODIFIED:20260923T202210Z
UID:10001517-1790949600-1790957100@www.portlandmuseum.org
SUMMARY:PMA Films: Ha-Chan\, Shake Your Booty!
DESCRIPTION:Directed by Josef Kubota Wladyka. 118 minutes. Rated R. In English\, Japanese\, and Spanish with English subtitles. \nWinner\, Directing Award (U.S. Dramatic)\, 2026 Sundance Film Festival \nHaru and Luis love competing in Tokyo’s ballroom dance scene\, but after tragedy strikes\, Haru withdraws into isolation. When friends coax her back to the studio\, she develops an infatuation with the new instructor. She must face what comes next as sparks fly.
URL:https://www.portlandmuseum.org/event/pma-films-ha-chan-shake-your-booty/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/09/SONY-HCMI-06_DigitalPosters_1080x1350-nRusoy.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261002T180000
DTEND;TZID=America/New_York:20261002T200000
DTSTAMP:20260908T152901Z
CREATED:20260902T202603Z
LAST-MODIFIED:20260908T152901Z
UID:10001434-1790964000-1790971200@www.portlandmuseum.org
SUMMARY:PMA Films: Out at Six (Presented with Finding Our Voices)
DESCRIPTION:Directed by Livi Kessel. 55 minutes (followed by Survivor-Speaks discussion). Not Rated. In Hebrew with English subtitles. \n\n\n\nThis screening will be followed by a panel discussion with domestic abuse survivors\, coordinated by Finding Our Voices. Finding Our Voices is the grassroots nonprofit breaking the silence of domestic abuse around Maine\, including in schools\, and providing practical resources and heart-healing support to women survivors and their children. \n\n\n\nRegistration for this screening is recommended\, and admission is pay-what-you-want. \n\n\n\nWhen teenage Livi is the first in her friend group to move in with a man\, her girl friends are excited for her. But her world slowly gets smaller and more dangerous as he increasingly isolates and psychologically terrorizes her. \n\n\n\nThe powerful documentary chronicles Livi’s journey against Prof. Jane Monkton Smith’s chilling and seminal timeline of the eight stages that precede intimate partner murder. Through Livi’s conversations with those who knew her while she was trapped in the domestic abuse\, the film illuminates the dangerous gray zone of psychological abuse AKA coercive control that often hides in plain sight. \n\n\n\nTopics of the post-screening discussion will include how to best help someone you worry is trapped in an unhealthy intimate partner relationship\, and the role the community can play in safeguarding our neighbors from dangerous family members. \n\n\n\nFor more information about Finding Our Voices visit https://findingourvoices.net
URL:https://www.portlandmuseum.org/event/pma-films-out-at-six-presented-with-finding-our-voices/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/jpeg:https://www.portlandmuseum.org/wp-content/uploads/2026/09/outatsixposter2.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261003T120000
DTEND;TZID=America/New_York:20261003T140500
DTSTAMP:20260923T165248Z
CREATED:20260923T164639Z
LAST-MODIFIED:20260923T165248Z
UID:10001518-1791028800-1791036300@www.portlandmuseum.org
SUMMARY:PMA Films: Ha-Chan\, Shake Your Booty!
DESCRIPTION:Directed by Josef Kubota Wladyka. 118 minutes. Rated R. In English\, Japanese\, and Spanish with English subtitles. \nWinner\, Directing Award (U.S. Dramatic)\, 2026 Sundance Film Festival \nHaru and Luis love competing in Tokyo’s ballroom dance scene\, but after tragedy strikes\, Haru withdraws into isolation. When friends coax her back to the studio\, she develops an infatuation with the new instructor. She must face what comes next as sparks fly.
URL:https://www.portlandmuseum.org/event/pma-films-ha-chan-shake-your-booty-2/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/09/SONY-HCMI-06_DigitalPosters_1080x1350-nRusoy.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261003T150000
DTEND;TZID=America/New_York:20261003T164500
DTSTAMP:20260903T174623Z
CREATED:20260903T173755Z
LAST-MODIFIED:20260903T174623Z
UID:10001435-1791039600-1791045900@www.portlandmuseum.org
SUMMARY:PMA Films: "Makers at the Movies": Mean Girls (2004)
DESCRIPTION:Directed by Mark Waters. 97 minutes. Rated PG-13. In English. \n\n\n\nThis screening is part of our “Makers at the Movies” series! Attendees are invited to bring knitting\, crochet\, fiber arts\, or drawing projects to work on during the film. The lights will remain partially on to accommodate making. Presented in partnership with Olde School Fiber & Craft. Please note: glitter and wet materials (such as liquid glue or ink) are not permitted. \n\n\n\nA down-to-earth student joins a snobby clique in an effort to spy on the popular kids\, then begins to act like them.
URL:https://www.portlandmuseum.org/event/pma-films-makers-at-the-movies-mean-girls-2004/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/09/meangirlsposter-nJvYBW.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261004T120000
DTEND;TZID=America/New_York:20261004T120000
DTSTAMP:20260930T202742Z
CREATED:20260924T155940Z
LAST-MODIFIED:20260930T202742Z
UID:10001527-1791115200-1791115200@www.portlandmuseum.org
SUMMARY:PMA Films: The History of Concrete
DESCRIPTION:Directed by John Wilson. 101 minutes (followed by pre-recorded discussion). Not Rated. In English. \nThis screening will be followed by a pre-recorded\, 15-minute discussion between director John Wilson and Josh Safdie. \nFollowing the finale of his acclaimed HBO series “How To with John Wilson”\, NYC documentarian John Wilson looks to the bedrock of his beloved New York City for inspiration and structure. Concrete\, the world’s most widely used building material\, appears as an ever-present life force\, and John sets out to make the definitive documentary on the matter. After attending a workshop on how to write and sell a Hallmark movie\, he decides to use the industry-approved Hallmark formula to tell this seemingly drab story and increase his movie’s appeal. But his foundation soon begins to crumble—literally and figuratively—as he struggles to balance artistic freedom with the realities of the modern film industry.
URL:https://www.portlandmuseum.org/event/pma-films-the-history-of-concrete-6/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/09/HistoryofConcrete-2-scaled-bxnFjj.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261004T150000
DTEND;TZID=America/New_York:20261004T170500
DTSTAMP:20260923T165132Z
CREATED:20260923T164641Z
LAST-MODIFIED:20260923T165132Z
UID:10001520-1791126000-1791133500@www.portlandmuseum.org
SUMMARY:PMA Films: Ha-Chan\, Shake Your Booty!
DESCRIPTION:Directed by Josef Kubota Wladyka. 118 minutes. Rated R. In English\, Japanese\, and Spanish with English subtitles. \nWinner\, Directing Award (U.S. Dramatic)\, 2026 Sundance Film Festival \nHaru and Luis love competing in Tokyo’s ballroom dance scene\, but after tragedy strikes\, Haru withdraws into isolation. When friends coax her back to the studio\, she develops an infatuation with the new instructor. She must face what comes next as sparks fly.
URL:https://www.portlandmuseum.org/event/pma-films-ha-chan-shake-your-booty-4/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/09/SONY-HCMI-06_DigitalPosters_1080x1350-nRusoy.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261008T153000
DTEND;TZID=America/New_York:20261008T173500
DTSTAMP:20260923T165020Z
CREATED:20260923T164647Z
LAST-MODIFIED:20260923T165020Z
UID:10001522-1791473400-1791480900@www.portlandmuseum.org
SUMMARY:PMA Films: Ha-Chan\, Shake Your Booty!
DESCRIPTION:Directed by Josef Kubota Wladyka. 118 minutes. Rated R. In English\, Japanese\, and Spanish with English subtitles. \nWinner\, Directing Award (U.S. Dramatic)\, 2026 Sundance Film Festival \nHaru and Luis love competing in Tokyo’s ballroom dance scene\, but after tragedy strikes\, Haru withdraws into isolation. When friends coax her back to the studio\, she develops an infatuation with the new instructor. She must face what comes next as sparks fly.
URL:https://www.portlandmuseum.org/event/pma-films-ha-chan-shake-your-booty-6/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/09/SONY-HCMI-06_DigitalPosters_1080x1350-nRusoy.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261008T171500
DTEND;TZID=America/New_York:20261008T200000
DTSTAMP:20260928T200149Z
CREATED:20260928T200147Z
LAST-MODIFIED:20260928T200149Z
UID:10001528-1791479700-1791489600@www.portlandmuseum.org
SUMMARY:Contemporaries Tour of Winslow Homer: Painter\, Etcher
DESCRIPTION:Contemporaries Members Tour celebrating Winslow Homer: Painter\, Etcher at the Portland Museum of Art . \n\n\n\n\n5:15 p.m. Tour begins in the Great Hall\n\n\n\n\n\n6:00 p.m. Short walk to Marquis Lounge at 150 Park Street for a first look at their new menu\n\n\n\n\nRegistration for this tour and reception is required. \n\n\n\nPlease register online \n\n\n\nIf you have any questions\, you are welcome to reach out to Lily Spearsmith\, Annual Gifts Officer at 207–318-2055 or lspearsmith@portlandmuseum.org \n\n\n\nYou can increase your support of the arts in Maine by upgrading to theContemporaries to attend this tour and a variety of other programming surrounding our exhibitions.
URL:https://www.portlandmuseum.org/event/contemporaries-tour-of-winslow-homer-painter-etcher/
LOCATION:ME
CATEGORIES:Leadership Circles
ATTACH;FMTTYPE=image/jpeg:https://www.portlandmuseum.org/wp-content/uploads/2026/08/E1924-4-15_Philly-scaled.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261009T120000
DTEND;TZID=America/New_York:20261009T130000
DTSTAMP:20260821T182443Z
CREATED:20260821T182206Z
LAST-MODIFIED:20260821T182443Z
UID:10001421-1791547200-1791550800@www.portlandmuseum.org
SUMMARY:Noontime Talk: Maritime History and Homer
DESCRIPTION:Explore the maritime world that inspired Winslow Homer in this special gallery talk inside Winslow Homer: Painter\, Etcher. Maritime historian Seth Goldstein of the South Portland Historical Society will share the history of New England’s seafaring culture and reveal how it shaped some of Homer’s most iconic drawings\, etchings\, and paintings. \n\nBio: Seth Goldstein grew up on Cape Cod where he developed his passion for maritime history. He received his bachelor’s degree in European History from the University of California at Santa Cruz and his master’s degree in World History from Northeastern University. He is currently the Development and Museum Director for the South Portland Historical Society.
URL:https://www.portlandmuseum.org/event/noontime-talk-maritime-history-and-homer/
LOCATION:ME
CATEGORIES:Noontime Talk
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/08/Seth_Goldstein_headshot_hires-W2EKbn.avif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261009T140000
DTEND;TZID=America/New_York:20261009T154500
DTSTAMP:20260923T202345Z
CREATED:20260922T211641Z
LAST-MODIFIED:20260923T202345Z
UID:10001512-1791554400-1791560700@www.portlandmuseum.org
SUMMARY:PMA Films: Chronovisor
DESCRIPTION:Directed by Jack Auen and Kevin Walker. 100 minutes. Not Rated. In French\, English\, German\, and Italian with English subtitles. \nWhile writing a monograph on historical theories of memory\, Béatrice (Anne Laure Sellier)\, a respected academic\, becomes beguiled by the allegedly true story of the Chronovisor\, an occult device said to reproduce visuals from any point in history on a TV screen. Her obsession with the mysterious machine drags her from her Upper East Side apartment through the depths of New York City’s hidden libraries\, to the edge of a breakthrough.
URL:https://www.portlandmuseum.org/event/pma-films-chronovisor/
LOCATION:Bernard Osher Foundation Auditorium\, 7 Congress Square\, Portland\, ME\, 04101\, United States
CATEGORIES:Films
ATTACH;FMTTYPE=image/avif:https://www.portlandmuseum.org/wp-content/uploads/2026/09/CHRONOVISOR_web-poster-scaled-sQQv8o.avif
END:VEVENT
END:VCALENDAR