WAM: YAM Edition

By Molly Braswell
Learning and Interpretation Assistant

I was inspired to write the inaugural post of our newest blog series, Why Art Matters (WAM), by a visit to museum’s Youth Art Month (YAM) exhibition. (Plus, WAM and YAM rhyme, and that’s fun.) Over 100 Maine students, from kindergarten through twelfth grade, have their artwork displayed on the PMA’s fourth floor…and it’s incredible.

So why does art matter in school? What do students gain from being exposed to the arts at an early age?

There are a lot of studies and explanations for how art can benefit students; however, the reasoning and rationale doesn’t always have to be scientific to prove meaningful. Students who take art classes, or who are involved in school plays or band, could be influenced in different, positive ways. Not everyone will take an art class and want to grow up to become an artist, but it’s clear that the skills and thought processes explored through the arts can be beneficial down the road.

There are actually a LOT of great things that art can do for students of all ages. Here are just a few of them:

● Students’ exposure to the arts–including drama, music, and dance–often leads to improvement in math, writing, and reading.

● Art education is related to: higher test scores, higher attendance rates, higher graduation rates, and lower disciplinary rates.

● Art education improves students’ abilities to problem-solve and to make decisions–teaching children that problems can have more than one solution
 and that questions can have more than one answer. It also shows children that neither words in their literal form nor numbers exhaust what we can know. The limits of our language do not define the limits of our cognition.

● The arts help build confidence and expose students to other cultures, ideas, and points of view. One of the large lessons in art is that there are many ways to see and interpret the world.

● Art teaches students to think in ways that aren’t always addressed in other classes like how to observe, innovate, self-reflect, improve, and evaluate.

● Arts integrated curriculum can increase students’ motivation and collaboration, and create a sense of community in the classroom.

Do you have positive memories of art in school?  Do you think that it’s important that the arts be a part of current K-12 curriculum?

If you are looking for more, check out these articles:
Study: Arts education has academic effect,” by Tamara Henry, USA Today
Neuroeducation: Learning, Arts, and the Brain: Findings and Challenges for Educators and Researchers from the 2009 Johns Hopkins University Summit” by Mariale Hardiman, Ed.D., Susan Magsamen, Guy McKhann, M.D., and Janet Eilber
Art for our sake: School arts classes matter more than ever–but not for the reasons you think” by Ellen Winner and Lois Hetland, The Boston Globe
Renaissance in the Classroom,” Edited by Gail Burnaford, Arnold Aprill, and Cynthia Weiss, Harvard Business Review

Meet Liz Cartland, The PMA’s New Director of Development

The PMA is proud to welcome Liz Cartland as our new Director of Development. Liz previously served as the Director of Annual Giving and Philanthropy at the Peabody-Essex Museum in Salem, Massachusetts. We asked Liz a few questions about her exciting new transition.

Tell us a bit about yourself and your history with museum work. Can you talk about your connection to Maine? What do you love about Portland?
Although I grew up in Connecticut, I have always had a deep connection to Maine, where most of my family has its roots. As a child I ran around Scarborough Beach, in high school I spent summers working at a coastal resort, and was finally able to spend the full year in Maine when I attended Bowdoin College. When I left in 1999, I promised myself I would come back.

Liz, as a child, with her mother and sister on Scarborough Beach.

I went to college pre-med and took one art history class and it changed everything. As a child I was often exposed to museums and always enjoyed them, but it didn’t all come together until I sat in that dark classroom looking at slides, realizing I wanted to know more. In college I studied abroad in Florence and interned at PMA. From that point on, I was sure I would always work in museums and I that I wanted to come back to PMA someday!

After temping in the marketing department at the Museum of Fine Art, Boston, I moved into a fundraising position. It was clear that the development department was a place where I interacted the most with all aspects of a museum–curators, educators, designers, members, and visitors. I feel I can share my passion about art with others and work to bring people closer to the museum and its mission. I can strengthen the foundation of an institution by engaging people that want to be involved and make a difference, all while continuing my own learning.

To me, Portland is a perfect combination of big city and small town. It has the culture, restaurants, and opportunities of a big city, but the charm, friendliness, and community feeling of a small town. I love the lifestyle available in Portland and its proximity to both the ocean and the mountains!

What are you most looking forward to in your move to Maine and your new PMA role?
In my time away from Maine I have looked for every excuse to return, whether for a week or a weekend. I am most excited to call Maine home again and to be involved Portland’s community. It is such a vibrant cultural capital for the state of Maine and I am looking forward to doing my part to continue its sustainability and growth. I am looking forward to getting to know PMA better and the wonderful people that have aided in its amazing advancement.

In 1998, you worked at the PMA as the Biennial Intern. What type of art are you most interested in?
I have always been interested in photography and am amazed to watch as it advances with technology. I also really enjoy contemporary art and the opportunity to see what artists are influenced by today and how that impacts their work. I like experiencing anything sincere that teaches me or helps me to see the world in a different way.

What challenges do you see facing the PMA? What do you hope to accomplish here?
I think that PMA will face the same challenges that many cultural institutions and non-profit organizations do in this day and age. The economy continues to be challenging and there is always the constant need to attract new donors and visitors while continuing to engage our current supporters. I look forward to approaching these challenges in new and creative ways that will help PMA continue to grow into the future.

I am most looking forward to continuing the remarkable momentum the museum has seen lately after the successful conclusion of the Winslow Homer Studio campaign. It is an amazing institution with talented and dedicated staff. I am truly looking forward to joining the team.

Designing a Design Lab: Interview with Kyo Bannai

By Julia Einstein, Assistant Director of Family and Studio Learning

Join us for the opening of PMA Family Space: Design Lab, on February 19–a perfect activity for your family during February school vacation! The PMA Family Space is an interactive room in the McLellan House dedicated to families exploring, creating, and most importantly, having fun! This year, as part of The Artist + Family Project, we are inviting artists from the community to interpret the museum’s collections in new ways and to construct family-friendly activities for the PMA Family Space.

The first artist to transform the space is local architect/designer Kyo Bannai. Inspired by the context of the McLellan House, Kyo incorporated elements of architectural design for families with children of all ages to enter in and become designers!

Give us a bit of background about yourself in the world of architecture, your influences, etc.
Although both my parents are designers, architects, and developers, I didn’t quite understand why one would become a designer—I guess I could attribute it to nearsightedness. It was always around and pervasive. For a while I was too busy learning about cadavers! It didn’t occur to me until decades later that everything inside a body was designed just so. And now, I see how everything around us is designed. The paper clip or the pencil on your desk was designed for utility. The teacher’s lesson was designed to convey a certain idea. Even the giraffe’s neck is designed for survival.

Describe the Design Lab concept.
A primary guideline was to interpret the museum’s collections in new ways. Being an architect it made sense for me to think about the PMA’s unique and impressive collection of buildings that make up the main part of the museum: the McLellan House (built in 1801), the Sweat Galleries (opened in 1911), and the Payson Building (opened in 1983.) Over its course of history these additions, renovations, and restorations contributed to physical, functional, and emotive changes inside and out. So, my concept started with the statement: “The museum is constantly changing… and every change alters its surroundings.”

The asking of the questions and the invitation to respond is the premise. What does this look like in the experience you’ve created for the Design Lab?
Recently my husband and I took our kids to the International Spy Museum while in Washington D.C. We loved the way we were given an alias upon arrival and instructed to be that person on the card and go through “spy training.” How fun is that? Pretending to be a designer is obviously not quite as sexy, but this was the idea I was aiming to emulate.

Upon arrival you can pick up a Design Lab Workbook at the Admissions Desk to experience the designer’s process through exploration of museum “hot spots,” sites where you’ll sketch your observations, then return to the Design Lab to share what you saw. Everyone has the choice to build their ideas and to post them onto the charrette wall. It’s a bit like online social media, isn’t it?

To further the community idea building, a special bonus will take place on a Free Friday evening event when family ideas will be compiled and presented. It’ll be a collaboration with many people participating in a visionary process! How thrilling, especially for the young ones, to see their ideas become a part of an installation at the Portland Museum of Art?