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New to View: Lithographs by Henri de Toulouse-Lautrec

By Margaret Burgess
Susan Donnell and Harry W. Konkel Associate Curator of European Art

Bonne semaine! This week we unveiled a new display of European art at the PMA. You will discover an installation of four lithographs by French artist Henri de Toulouse-Lautrec (1864-1901). This special display was inspired by The William S. Paley Collection: A Taste for Modernism exhibition (on view until September 8th), which also features the art of Toulouse-Lautrec.

Toulouse-Lautrec grew up in a wealthy aristocratic family in France. His father was an amateur artist and encouraged his son’s budding talent for drawing. Early on Toulouse-Lautrec painted mainly horses and sporting subjects—enduring themes for him as we see in the lithograph Babylone d’Allemagne (above) with its horse and rider. Soon the theatres and music halls rapidly bubbling up in Paris captured Toulouse-Lautrec’s attention. He was drawn to depicting individuals on the margins of society—prostitutes, dancers, washerwomen—and his sympathy for these figures perhaps derived from his own feelings of otherness due to a physical deformity from which he suffered. Influenced in large part by Japanese prints (ukiyo-e) with their decisive lines, dramatic cropping, and use of color and diagonals, Toulouse-Lautrec developed his bold style. Paul Gauguin, whom he came to know, was also an important inspiration, and the influence of Gauguin’s use of strong outlines and flat patterning is also evident in Toulouse-Lautrec’s work of the late 1880s and 1890s. Toulouse-Lautrec capitalized on innovations in lithography at this time, which allowed for larger scale prints and the use of a greater spectrum of colors. By the 1890s, he had established himself as a premier lithographer and received significant commissions for advertisements—as seen in the lithographs in our display. Though he died young and his career was short-lived, Toulouse-Lautrec left an enduring legacy on the worlds of art and graphic design.

The works are generously on loan from Isabelle and Scott Black.

Come visit the museum and immerse yourself in the world of Toulouse-Lautrec and French modernism! You will find many connections between the Paley Collection and our holdings here at the PMA.

Cannon Rock Sessions

By Dana Baldwin
Peggy L. Osher Director of Learning and Interpretation

“The sun will not rise or set without my notice and thanks. ” Winslow Homer

This summer the PMA launches the inaugural series of a biennial program, Cannon Rock Sessions. Cannon Rock Sessions are inspired by the Winslow Homer’s work, his Studio at Prouts Neck, and by Maine’s landscape and coastline. This innovative program received its title from a distinctive site, Cannon Rock, immortalized by Homer in an 1895 painting. The landmark, shaped like a cannon, is distinctly visible from the Cliff Walk near the Studio.

Cannon Rock Sessions focus on a common theme and invite two acclaimed intellects together for a five-day residency that will include a series of conversations and interactions with small community groups. The residency concludes with a public dialogue between the visiting minds on Thursday, August 1 at the PMA.

The 2013 Cannon Rock Sessions focus on the theme “weather,” a topic that had direct influence on Winslow Homer, but also affects us all, every day. Weather is a subject that can be poetic and inspirational, or it can imply broader contemporary themes such as climate and energy. Our first two visiting minds, Maine-based artist Anna Hepler and Gulf of Maine Research Institute president and CEO Don Perkins, will contemplate and discuss the topic during their residency at the Black Point Inn. To fuel the conversation PMA will orchestrate three sessions in three days. Writer Sara Corbett, Adam Burk of TedxDirigo, and Derek Pierce principal of Casco Bay High School in Portland, will each facilitate a session. Additional participants in the sessions include area artists, climate specialists, data visualization specialists, high school science and art teachers, writers, and a tattoo artist among others.

Cannon Rock Sessions are meant to ignite further conversation among the participants, and to enrich the visiting minds thinking around the topic of weather. At the conclusion of the residence, the conversation opens up to the public at the Summer Dialogue in the PMA’s Bernard Osher Foundation Auditorium. Anna Hepler and Don Perkins will talk about their experience during the sessions and how their thinking about the topic of weather has shifted as a result of their participation.

The PMA is proud to be the steward of the Winslow Homer Studio at such an incredible site as Prouts Neck. Cannon Rock Sessions are designed to create dynamic dialogue across disciplines, people and organizations and then culminates in a public event. Don’t miss this opportunity to be a part of this progressive program!

Reserve your spot for Cannon Rock Session’s free, public event, Summer Dialogue, on August 1 at 6:30 p.m.

Cannon Rock Sessions is supported by the Sam L. Cohen Foundation and the Charles Evans Hughes Memorial Foundation, Inc.

Winslow Homer Studio programming is supported by the Lunder Homer Education Endowment.

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Blueberry Rakers Bundt Cake with Lemon Icing

By Caitlin Sackville
Visitor Experience Associate

Inspired by David Brooks Stess’ powerful and thought-provoking photographs and his decades of experience working alongside Native Americans and migrant field hands during Maine’s annual blueberry harvest, I wanted to create a recipe that would showcase Maine’s precious blueberries. This cake, which is great for a crowd at a party or just as an afternoon snack, has a mouthful of blueberries in every bite and the tangy lemon icing is just enough to offset the sweet berries.

Blueberry Rakers: Photographs by David Brooks Stess is part of the Portland Museum of Art’s innovative Circa series and is on view until Sunday, May 19. The exhibition is a stunning reminder of Maine’s deeply set roots in agriculture, and of how much we still depend upon the hardworking hands of laborers who often go unnoticed and unappreciated.

Blueberry Rakers Bundt Cake with Lemon Icing
Cake
2 1/2 cups plus 2 tablespoons all-purpose flour and 2 teaspoons baking powder
1 teaspoon fine sea salt or kosher salt
1 cup unsalted butter, at room temperature
1 3/4 cups granulated sugar
Zest of 1 lemon
3 large eggs, at room temperature*
1/2 teaspoon vanilla extract
3/4 cup buttermilk
3 1/2 cups Maine blueberries** (I used the wild variety, but cultivated berries are sometimes more readily available; frozen berries are also fine)

Glaze
2 cups powdered or confections’ sugar Zest
juice of 1 lemon
1 tablespoon unsalted butter, melted

Preheat your oven to 350°F. Generously grease a 10-cup Bundt Pan, either with butter or a nonstick spray. Set aside.

In a medium bowl, sift together 2 1/2 cups flour (leaving out the extra 2 tablespoons), baking powder, and salt and set aside. In the bowl of a stand mixer or large mixing bowl, cream together the butter, sugar, and lemon zest until light and impossibly fluffy, about 3 to 5 minutes. Then, with the mixer on a low speed, add your eggs one at a time, scraping down the bowl between each addition. Beat in vanilla, briefly. Add 1/3 flour mixture to batter, beating until just combined, followed by half the buttermilk, another 1/3 of the flour mixture, the remaining buttermilk and remaining flour mixture. Scrape down from time to time and don’t mix any more than you need to. Toss the berries with the remaining 2 tablespoons of flour. With a rubber spatula, gently fold the berries into the cake batter. The batter will be very thick and this will seem impossible without squishing the berries a little, but squished berries aren’t always a bad thing!

Spread cake batter — you might find it easier to plop it in the pan in large spoonfuls, because it’s so thick — in the prepared baking pan and spread the top smooth. Bake for 55 to 60 minutes, rotating the cake 180 degrees after 30 (to make sure it browns evenly). The cake is done as soon as a toothpick comes out clean of batter.

Set cake pan on a wire rack to cool for 30 minutes, before inverting the cake onto a serving platter to cool the rest of the way. Cool completely.

Once cool, whisk together the powdered sugar, lemon zest, juice and butter until smooth and very, very thick. (If you’d like it thinner, add more juice, but I like the thick drippiness of it, seen above.) Spread carefully over top of cake, letting it trickle down the sides when and where it wishes. Serve at once or keep it covered at room temperature for 3 to 4 days.

Notes-
*Because I used farm-fresh, richly colored eggs, my batter and cake was subsequently darker than if you use store bought eggs.
**If you choose to use cultivated blueberries, you may want to decrease the amount slightly, because of their larger size.

Caitlin Sackville is a Visitor Experience Associate at the PMA. Visit her blog, Look Good Eat Well for creative recipes and original photography.